I think there are fundamentalists all over the world. I think all religions have fundamentalists who have different interpretations of scriptures that are very vague.
Unfortunately, in the world today, we have dogmatic people entering into politics. I don't think the two mix.
I have T.V. on all the time when I'm writing. I have music on. I'm engaged with the world.
My stuff is direct. Critics have compared my writing style with boxing all the way back to 1978 when my first book of essays appeared: it was compared to Muhammad Ali's style.
As a writer, you explore all kinds of different emotions.
For generations comedians have made jokes about Scots-Irish in the South inter-breeding. "I am my own grandpa" and all that stuff; you know, because they all were marrying their first cousins.
I think I have a pugnacious style. My style is not pretty. I don't use words like "amber" or "opaque."
I get most my information about what's happening in the United States from reports and studies, which are often in conflict with what you read on the editorial pages, or handouts from right wing institutions like the American Enterprise Institute.
Whites have been the most subsidized group in the history of the United States and maybe the history of the world, while Blacks were enslaved and were the assets of Whites.
Native Americans were driven off their land. Lincoln even took part in the Black Hawk campaign against the Native Americans in Illinois. While they were being exterminated and driven off their land, Whites were collecting assets.
The plays raise issues that are ignored in other forums.
I have Black guys who tell me they put my books on their bed stands to read at night like something for guidance or information. That really pleases me a lot. I think my work has changed some things. It's changed me.
I reached the age of 70, because I have cultivated an association of multicultural intellectuals who are informed and alert to whatever "tricknology" that's laid on us by the powers that be. These include White ethnic intellectuals- people who know their roots- as well as Native American, Asian American, Hispanic and Black intellectuals. These are thirty, forty-year associations with some of the best minds around. Minds that are ignored by the media.
In Crash, you've got a pathological cop who at the end justifies police brutality. He tells the naïve, young cop that you're going to end up the same as him. He's the most sympathetic character in the movie. So, the naïve cop ends up murdering this Black kid and tries to cover up the evidence. It sort of justifies police brutality and the planting of evidence which is what happened in the O.J. Simpson case.
Americans are fickle. And what constitutes the enemy is always changing. Believe it or not, at one time Blacks were the favored model minority over Asian Americans.
My generation of writers has been prone to premature illness and death, especially the women. When Black male writers meet it's like a session of the American Diabetic Association.
Given all of the anti-Muslim propaganda that's being disseminated by The American Nazi media, you have to be careful. It can stress you out.
I think Black intellectuals see too deeply. That's the problem. It's a cause of anxiety, because we see things differently.
I walked out on American Gangster: this evil piece of dreck. Defenders of this junk say that these movies give Black actors jobs. So did "Birth of a Nation."
I'm sure that a previous generation of Jews who published radical newspapers and journals would be critical of [David] Simon's projects. These were left wingers who suffered casualties in some of bloodiest strikes in American history.
Hateful material travels the globe. A few years ago, CNN, America's Der Sturmer, ran a story about Black parents being so low down that they abandoned their children and the children had to eat rats. I was at a University in Wisconsin at the time and the mother of a student from South Africa called to see whether the story was true. She had seen it all the way over there. The story was untrue. The children lied. CNN never corrected the story.
Another California study counted 30,000 substance abusers who are pregnant are White woman. So, The Wire paints the picture of drug addiction, drug dealing, and drug abuse as being a specifically a Black issue.
How does the [New York] Times treat White pathology? They reported an epidemic of heroin addiction in the Philadelphia suburbs. which included emergency admissions and overdoses; these White people in the suburbs were doing heroin like it was going out of style. I counted the words: the article consisted of 200 words. "Heroin Epidemic" in the back section. Out here in California, the typical drug addict is a housewife or suburban White woman.
I use non-fiction work written by Whites in my research. It's indispensable. That wasn't the problem. I said that "The Wire" was a cliché! It's like my writing a series about Jewish life and casting all of the characters as inside traders.
I'm not against White writers writing about Blacks as long as they are as objective as say James McPherson writing about an Irish American janitor in his brilliant short story "Gold Coast."
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