I lived in the first century of world wars. Most mornings I would be more or less insane.
There is also, in any history, the buried, the wasted, and the lost.
I will try to be non-violent one more day this morning, waking the world away in the violent day.
We sit here, very different each from the other, until the passion arrives to give us our equality, to make us part of the play, to make the play part of us.
Punctuation is biological. It is the physical indication of the body-rhythms which the reader is to acknowledge.
The heavy sensual shoulders, the thighs, the blood-born flesh and earth turning into color, rocks into their crystals, water to sound, fire to form: life flickers uncounted into the supple arms of love.
I am haunted by interrupted acts, introspective as a leper, enchanted by a repulsive clew, a gross and fugitive movement of the limbs. Is this the love that shook the lights to flame?
Everywhere we are told that our human resources are all to be used, that our civilization itself means the uses of everything it has - the inventions, the histories, every scrap of fact. But there is one kind of knowledge - infinitely precious, time-resistant more than monuments, here to be passed between the generations in any way it may be: never to be used. And that is poetry.
How can I look back and not speak of the stupid learning about birth? Of the stupid learning that people make love, and how it seemed the reason for all things, the intimacy of my wondering, the illumination that to an adolescent was the cause for life around me, the reason why the unhappy people I knew did not kill themselves?
Slowly I would get to pen and paper, Make my poems for others unseen and unborn. In the day I would be reminded of those men and women, Brave, setting up signals across vast distances, considering a nameless way of living, of almost unimagined values.
There has been in our time a lack of reliance on language and a lack of experimentation which are frightening to anyone who sees them as symptoms. We know the phenomenon of stage-fright: it holds the player shivering, incapable of speech or action. Perhaps there is an audience-fright which the play can feel, which leaves him with these incapacities.
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