The world is divided between kids who grow up wanting to be their parents and those like us, who grow up wanting to be anything but. Neither group ever succeeds.
I was pretty dead set against ever writing an academic novel. It's always been my view that there are already more than enough academic novels and that most of them aren't any good. Most of them are self-conscious and bitter, the work of people who want to settle grudges.
Even at its most perceptive, sociology deals in abstractions.
I can be glib and truthful all at once.
I'm not an easy man. I can be an entertaining one, though it's been my experience that most people don't want to be entertained. They want to be comforted.
Why mince words? Beautiful Ruins is an absolute masterpiece.
HBO is really famous for hiring good people and staying out of their way until they ask for help, or need it. And that reputation is earned.
Steve Yarbrough's Safe from the Neighbors will take your breath away. Ambitious, funny, sad, smart, and beautifully crafted, it's everything a novel should be.
I think it would be harder for me not to write comedy because the comic view of things is the one that comes most naturally to me.
My dad had this rock hard body and would work 12- to 13-hour days. The guys he worked with were scrap-iron guys. Nobody on that road crew had read a book in 10 years, but there was something about the way they lived I really admired.
People often ask me how I make things funny. I don't make things funny.
Some authors have a very hard time understanding that in order to be faithful to the spirit of the book, it's almost always impossible to remain faithful to the text. You have to make changes.
Cary Grant never won an Oscar, primarily, I suspect, because he made everything look so effortless. Why reward someone for having fun, for being charming?
I have to have a character worth caring about. I tend not to start writing books about people I don't have a lot of sympathy for because I'm just going to be with them too long.
I suppose all writers worry about the well running dry.
A short story is something that I think can be intuited and envisioned and held in your mind almost at once.
When I start getting close to the end of a novel, something registers in the back of my mind for the next novel, so that I usually don't write, or take notes. And I certainly don't begin. I just allow things to percolate for a while.
A lot of my characters in all of my books have a self-destructive urge. They'll do precisely the thing that they know is wrong, take a perverse delight in doing the wrong thing.
Sleep is over-rated. Have you ever noticed how it's always recommended to people anybody with half a brain can see need to wake up?
I told him the truth, that I loved him and didn't regret anything about our lives together. But do we ever 'tell the truth, the whole truth, and nothing but the truth, so help me God' as my father used to say, to those we love? Or even to ourselves? Don't even the best and most fortunate of lives hint at other possibilities, at a different kind of sweetness and, yes, bitterness too? Isn't this why we can't help feeling cheated, even when we know we haven't been?
By ignoring a lot of American culture you can write more interesting stories. Unfortunately, if you were writing about America as it is, you'd be writing about a lot of people sitting in front of television sets.
I looked back at some of my earlier published stories with genuine horror and remorse. I got thinking, How many extant copies might there be, who owns them, and do they keep their doors locked?
If my career continues along its current arc, people will probably look at me and see a writer who is obsessed with the relationship between rich and poor and with how the rich somehow or other always manage to betray the poor, even when they don't mean to.
I read pretty voraciously. If it's good, I don't care what it is.
I’ve always known that there’s more going on inside me than finds its way into the world, but this is probably true of everyone. Who doesn’t regret that he isn’t more fully understood?
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