When you meet a director who wants to remake a movie, you have to ask, does he or she have an interesting vision and idea, something that intrigues you - is there a reason why we should do this?
I like to dress up and put on a nice suit for a party or a special event; I do enjoy it, but on a daily basis I wear stuff that I feel comfortable in.
I can't express how much admiration I have for women in general, who walk around in high heels, but, drag queens, oh my god.
You can use the internet in a way that's actually really great. It doesn't have to be about how amazing you are, or "Come watch my show!," or "Look what I'm wearing today." It doesn't have to be narcissistic.
For me, creatively, I'd suffocate if I played the same thing, over and over again. I want challenges. I want to sit down with a director and be like, "I've never done this before, but it's going to be exciting. It's scary, but really thrilling, so let's do it!"
Life is crazy. You travel and you're busy and there's so much going on that it's important to have the moments where you can breathe and you can just be present with the person or the people that you're there with.
When I'm on a plane, people know where I'm going before I even know where I'm going. People know where you had lunch yesterday, or who you had lunch with. So, trying to avoid sharing everything with everyone is my way of keeping something private in my life.
To turn off your phone when you go to your country house or you're on vacation for a few days is important. I turn off my phone and just check it once a day. I turn it on and, if it's an important message, I'll call back. Otherwise, it can wait.
I'm not very active on social media. I'm not on Facebook or Twitter or Instagram, or anything like that. But I think it's wonderful that they're out there. They're fantastic. I have a lot of siblings and friends that use it, and it's great for them. It's such a connected world.
If you're a great documentary filmmaker, it doesn't necessarily mean that you're a great narrative filmmaker. There are fantastic documentary filmmakers that can't direct actors. You don't have to do that in a documentary, if it's a real documentary.
It was such an amazing experience to be able to spend nine days on a boat with these Greenpeace people. Some of them were scientists and some were crew members working on the ship. Just to hear their stories, like what drew them to Greenpeace in the first place and what they've been through. Every single second of the day they work to save the planet, which makes me as an actor feel quite insignificant.
I've been a member of Greenpeace since I was a teenager.
A lot of times we associate Greenpeace and climate change and shrinking polar caps with heavy-handed, weighty material. It's somber stuff. But with Funny Or Die we thought we could put an interesting take on it. Make it a little more palatable, especially for young people who tune into the website.
I was nervous when I first started True Blood because if you do a play or a movie, you know the complete arc of the character. You can see the end. But with a show like True Blood, you don't know what's going to happen.
What intrigues me is that people kind of naturally want to label or pigeonhole the characters. They want to make it easy for themselves to go, "All right. There's the good guy, there's the bad guy, there's the girl. Okay, I get it now." But life isn't one-dimensional. The world isn't simply divided into good versus evil. I think we're all capable of both. So any time the hero does something I'm not crazy about, or the bad guy does something I can relate to, I'll find it more interesting.
A hipster is someone who's very aware of his style.
I'm an actor and I love to find new collaborations and new characters where I can grow as an actor and human being.
Whether I'm interested [in something] or not, step one is read the script and figure out if a character is someone I'd want to explore or not.
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