Twyla Tharp Quotes - Page 4

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• I think that anyone who's pushed to do the very best that they can is privileged. It's a luxury.

  Twyla Tharp

  Thinking, Luxury, Privileged

  "The High Priestess of Creative Movement". Academy of Achievement Interview, www.achievement.org. June 25, 1993.

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• It is extremely arrogant and very foolish to think that you can ever outwit your audience.

  Twyla Tharp

  Dance, Stupid, Thinking

  "The High Priestess of Creative Movement". The Academy of Achievement Interview, www.achievement.org. June 25, 1993.

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• The routine is as much a part of the creative process as the lightening bold of inspiration, maybe more. And this routine is available to everyone.

  Twyla Tharp

  Inspirational, Creative, Routine

  Twyla Tharp, Mark Reiter (2003). “The Creative Habit: Learn It and Use It for Life”, Simon and Schuster

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• The content and thematic materials of dance is, of itself, like boxing. You play tennis and baseball. But boxing is not a sport you play: you stand up and do it.

  Twyla Tharp

  Sports, Baseball, Play

  "After 12 Years in 'Exile' Tharp Shifts Gears Again; A Pioneer of Choreographic Collisions Introduces a New Troupe and New Thinking" by Anna Kisselgoff, www.nytimes.com. July 6, 2000.

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• I also had a will that let me eliminate everything that stood in the way of my becoming the best dancer I could be. By a gradual process... (I) had invested every bit of my dreams, my hopes, my energies in defining myself as a dancer.

  Twyla Tharp

  Dance, Dream, Becoming The Best

  Twyla Tharp (1992). “Push Comes to Shove”, Bantam Dell Publishing Group

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• Dance has never been a particularly easy life, and everybody knows that.

  Twyla Tharp

  Dance, Easy, Easy Life

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• To embrace luck, you have to enhance your tolerance for ambiguity.

  Twyla Tharp

  Tolerance, Luck, Embrace

  Twyla Tharp, Mark Reiter (2003). “The Creative Habit: Learn It and Use It for Life”, Simon and Schuster

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• Usually kids who are talented have the brashness to think they can do anything, but they don't often get the chance to see how close they can come.

  Twyla Tharp

  Dance, Kids, Thinking

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• I have learned over the years that you should never save for two meetings what you can accomplish in one.

  Twyla Tharp

  Years, Two, Should

  Twyla Tharp, Mark Reiter (2003). “The Creative Habit: Learn It and Use It for Life”, Simon and Schuster

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• If you're speaking of love, you really must include the element of uncertainty - and perhaps it's best approached as the art of constant maintenance.

  Twyla Tharp

  Art, Love You, Maintenance

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• The last two - distractions and fears - are the dangerous ones. They're the habitual demons that invade the launch of any project. No one starts a creative endeavor without a certain amount of fear; the key is to learn how to keep free-floating fears from paralyzing you before you've begun. When I feel that sense of dread, I try to make it as specific as possible.

  Twyla Tharp

  Keys, Two, Creative

  Twyla Tharp, Mark Reiter (2003). “The Creative Habit: Learn It and Use It for Life”, Simon and Schuster

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• I’m much stronger than most women. Consequently, when I work with men, or when I’m partnered by men... We can actually go into kinds of movement that haven’t been available before, simply because I’ve strengthened myself as a woman, not because I’ve weakened him.

  Twyla Tharp

  Men, Stronger, Kind

  "The High Priestess of Creative Movement". The Academy of Achievement Interview, www.achievement.org. June 25, 1993.

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• I always find that the best collaborations are when you work with people that know what they're doing, and you leave them alone to do it.

  Twyla Tharp

  People, Collaboration, Knows

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• But obligation, I eventually saw, is not the same as commitment, and it's certainly not an acceptable reason to stick with something that isn't working

  Twyla Tharp

  Commitment, Saws, Sticks

  Twyla Tharp, Mark Reiter (2003). “The Creative Habit: Learn It and Use It for Life”, Simon and Schuster

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• I'm not one who divides music, dance or art into various categories. Either something works, or it doesn't.

  Twyla Tharp

  Inspirational, Dance, Art

  "The High Priestess of Creative Movement". Academy of Achievement Interview, www.achievement.org. June 25, 1993.

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• when the time came I would do battle with my mother for the right to sit at the center of my own life.

  Twyla Tharp

  Mother, Battle, Assertiveness

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• As people who have commitments and obligations, we try to blockade emotions and go on our course towards excellence, and that's a lie. I've definitely paid a price. Everything is an exchange.

  Twyla Tharp

  Lying, Commitment, People

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• Whom the gods wish to destroy, they give unlimited resources.

  Twyla Tharp

  Giving, Wish, Neurosis

  Twyla Tharp, Mark Reiter (2003). “The Creative Habit: Learn It and Use It for Life”, Simon and Schuster

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• You don't have a really good idea until you combine two little ideas.

  Twyla Tharp

  Ideas, Two, Littles

  Twyla Tharp, Mark Reiter (2003). “The Creative Habit: Learn It and Use It for Life”, Simon and Schuster

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• I don't think politicians should be allowed into power who are not familiar with their bodies, because that's where our bottom line is. And I know that they would make totally different decisions if they felt responsible simply for their own bodies.

  Twyla Tharp

  Thinking, Decision, Different

  "The High Priestess of Creative Movement". The Academy of Achievement Interview, www.achievement.org. June 25, 1993.

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• A commission is an invitation to fall in love.

  Twyla Tharp

  Falling In Love, Fall, Invitations

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• I have the wherewithal to challenge myself for my entire life. That's a great gift.

  Twyla Tharp

  Challenges, Great Gifts

  "The High Priestess of Creative Movement". Academy of Achievement Interview, www.achievement.org. June 25, 1993.

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• I would have to challenge the term, modern dance. I don't really use that term in relation to my work. I simply think of it as dancing. I think of it as moving.

  Twyla Tharp

  Dance, Moving, Thinking

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• After so many years, I've learned that being creative is a full-time job with its own daily patterns. That's why writers, for example, like to establish routines for themselves. The most productive ones get started early in the morning, when the world is quiet, the phones aren't ringing, and their minds are rested, alert, and not yet polluted by other people's words.

  Twyla Tharp

  Morning, Jobs, Phones

  Twyla Tharp, Mark Reiter (2003). “The Creative Habit: Learn It and Use It for Life”, Simon and Schuster

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• I repeat the wake-up, the workout, the quick shower, the breakfast of three hard-boiled egg whites and a cup of coffee, the hour to make my morning calls and deal with correspondence, the two hours of stretching and working out ideas by myself in the studio ... That's my day, every day. A dancer's life is all about repetition.

  Twyla Tharp

  Dance, Workout, Morning

  Twyla Tharp, Mark Reiter (2003). “The Creative Habit: Learn It and Use It for Life”, Simon and Schuster

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