I am fairly concise when I work and I work quickly because I think work is done better in a high gear than done our in a gear when everyone's exhausted. Get focused, do it!
I had to become the greatest choreographer of my time. That was my mission, and that's what I set out to do.
A tough manager will have realistic quotas for his employees that he keeps to himself and aggressively stretch quotas, anywhere from ten percent higher to a lot more, which he imposes on his staff. If his people miss the stretch numbers but exceed the realistic goals, he's happy. If he's a superb manager, he knows how far they can stretch without breaking.
The rewards of dancing are very different from choreographing.
I have a sort of tactility about music. I go into record stores and just run my fingers over it, the spines.
I think Tolstoy had an unbelievably complicated relationship with women.
The ballet needs to tell its own story in such a way it can be received without having to be translated into language.
Nobody likes to see that which they've invested in disappear from the face of the earth before they've even died. This is not cool. We can now see what the landmarks, in fact are.
I was interested in becoming a show dancer, for which I tried, but I'm not tall enough.
I do believe that when dancing is right, the movement possesses a logic common to us all.
With each piece I've completed I have worked to make it intact, and each of them has been an equal high. It's like children. A mother refuses to pick out one as a favorite, and I can't do any better with the dances.
That's what improvising is like for me. There's no tollbooth between my impulse and my action.
Modern dancers should be doing things no one else is doing, and it should come from the gut.
Everything that happens in my day is a transaction between the external world and my internal world. Everything is raw material. Everything is relevant. Everything is usable. Everything feeds into my creativity. But without proper preparation, I cannot see it, retain it, and use it. Without the time and effort invested in getting ready to create, you can be hit by a thunderbolt and it'll just leave you stunned.
You double your intensity with skill.
A young person has to start making decisions for themselves at a much earlier age than an overbearing parent allows one.
Our guys have a vision of something bigger.
I've always had to keep the walls in place, and the only way to do that is to keep yourself constantly occupied... From the time I was 8 years old, until I went to college, I worked... There was no social life.
I was valedictorian. Did I enjoy going to school? I hated it. It wasn't a choice on my part, it was expected.
I was fortunate to love men, so I could put them on stage and make roles for them, and move through their bodies in a way that they enjoy doing...
I don't believe in rushing and saying this is done and over with. That form of rebellion doesn't make sense to me. I've always attempted to familiarize myself with the traditions, and consider that a responsibility of the artist.
The blank space can be humbling. But I've faced it my whole professional life. It's my job. It's also my calling. Bottom line: Filling this empty space constitutes my identity.
In terms of individuals who actually inspired me, very few of the academic people that I had access to had that power over me. Maybe it's simply because I wasn't that committed to geometry.
I don't mean this, but I'm going to say it anyway. I don't really think of pop art and serious art as being that far apart.
In order to be creative, you have to know how to prepare to be creative.
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