The best language is always found in books because it's considered. It's a high language. Sometimes, it is complex and difficult. It's empowering and offers a way to speak about yourself that you don't have if all you are doing is reading the newspaper and watching TV.
You're never alone with a book, are you? It's a dialogue.
One of the problems with watching TV is that you've got a fairly low level of language operating all the time. Quite a small vocabulary and really no conceptual or abstract thinking. That's an issue. If you've got a wide vocabulary, you can learn. The complexities of grammar, in themselves, force you to think about time in a particular way. Force you to widen your outlook on the world.
When we say we can pull resources away from libraries, from culture, from those parts of the education system that are not about utility, what we are really saying is that the life of the mind is unnecessary.
I am getting much more political as I get older. It's the duty of any writer, in particular, not to stand back from the world.
If you don't educate people well, then you're going to have a lot of violent, angry young men and women. You can go around saying they're all so violent, just throw them in jail, this is an underclass, what can you do? You can create fear. The issue of violence is very suitable for a repressive society. Then you can have more legislation, more police, more laws to fight crime, when all you need to do is to encourage people in a different way.
If people aren't educated, they can't question. If they can't question, they can't change anything, which is great for the status quo and all the people who can question them at their own level.
Knowing that books are something that is hidden, that almost has that alchemical quality to it. There is a secret society in here, and if you belong to it, you'll be able to transform your lead into gold. I have that rather magical sense about books - that they do, somehow, have special powers.
For me, the most painful thing is the thought of shelves without books. This is the problem with the digital thing. I do not want to see it on electronic. I do not want to see all of those indices on Kindle. I don't want this physical object to disappear, because when it's there and it's present, it's continually suggesting new relationships in a way that an electronic index couldn't.
Some people are happy when they are at the sea; I'm happy when I'm standing in front of a shelf of books. It feels like the known place and also the beginning of a new adventure. It has that simultaneous paradoxical effect of making me feel absolutely calm and very excited.
Seeing one's books on the shelf tells you so much about the way somebody has, over the years, put together their private library, which is a reflection of their minds and their selves.
We have a generation of kids who may never see a bookshelf or never see books in houses. What are they going to think about books? How will books become meaningful in their lives except as yet another form of digitalized content? A book is not just digitalized content.
The crazy thing is that when we go to somebody's house, what's better than looking at their bookshelves? Nobody's ever going to say, "Can I see the index to your Kindle?" It's so depressing and so unsexy. Sure, it's there, but nobody is going to get excited by that.
It's not progress to take books off shelves. If one more person says this [ebooks] is the new Gutenberg, I will probably commit homicide, because the whole point of Gutenberg was to put books on shelves, not to take them off.
The people who decided in their wisdom that we're all going to go over to ebooks, they are not readers. These are technical people. These are people who think that somehow this is progress. It isn't. It's regressive.
We're in a strange situation where people either don't read at all or they read a lot. There's a huge gap in between. That's something that would be good to bridge so it doesn't have to be one thing or the other. Books could be part of life in a more relaxed way. I'd like to see that.
You have to engage with people who are different from you and try to work with their thinking and their mind. That's a real challenge.
I love the apparent quiet of reading a book. You sit there; you're not really moving. It looks very solitary. It looks very boring, but actually it's the most exciting place because it's going on for you, and you're in that relationship. In that sense, it's like being with a lover. Nobody else can intrude on that space. It's the two of you. It's your own world.
We're living in a homogenized culture where everything is the same, and books are not a homogenized culture. They are extremely varied, and they're eccentric because they are the product of an individual mind. They are not, in any way, mediated.
I learned capacity for self-reflection very early, finding it through interior monologues that books are so good at and that visual media is so bad at because it's so boring - nothing's happening. In a book, you can be inside the narrator's head for 50 pages, and nothing needs to happen. Then you learn to be inside your own head without something needing to happen. It's a very good antidote to a crazy, restless, "what's next?" culture - that you can just be in your own head and nothing is happening except that this is a rich place. I love that.
I will do whatever I have to do to reach people with the things I believe are important. Life is too short not to do everything you can.
When we learn to read, it's a real product of civilization and a civilized society. It affects your brain. It affects the way you think, and it gives you that capacity for self-reflection that you simply do not have without the agency of books.
It's great to win a few prizes early on. It helps a writer to get noticed and to get some sales. It can also be a pain in the arse because it gets in the way of the quiet, contemplative time every writer needs, but which is particularly important when you are a new writer finding your own voice, and pursuing the things that interest you.
Creative work is incredibly difficult, and that is where the tests lie. Ordinary professionalism and twenty years' experience can accomplish a lot, but it can't access the hidden places. That still needs what it always needs - a condition of complete simplicity, costing not less than everything.
We shall all die, and our lives will be irrelevant then. If we make anything that lasts, it outlives us, and it outlives its personal moment. All of my work is deep-dug from me, and every book has to stand or fall without me.
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