somehow at parties at which one stays standing up one seems to require to be more concentratedly intelligent than one does at those at which one can sit down.
Roughly, the action of a character should be unpredictable before it has been shown, inevitable when it has been shown. In the first half of a novel, the unpredictability should be the more striking. In the second half, the inevitability should be the more striking.
Dialogue is the ideal means of showing what is between the characters. It crystallizes relationships. It should, ideally, be so effective as to make analysis or explanation of the relationships between the characters unnecessary.
we can surmount the anger we feel. To find oneself like a young tree inside a tomb is to discover the power to crack the tomb and grow up to any height.
The best that an individual can do is to concentrate on what he or she can do, in the course of a burning effort to do it better.
Certain books come to meet me, as do people.
Writers do not find subjects; subjects find them.
The most striking fault in work by young or beginning novelists, submitted for criticism, is irrelevance--due either to infatuation or indecision. To direct such an author's attention to the imperative of relevance is certainly the most useful--and possibly the only--help that can be given.
Who is ever adequate? We all create situations each other can't live up to, then break our hearts at them because they don't.
The innocent are so few that two of them seldom meet - when they do meet, their victims lie strewn all round.
Experience isn't interesting until it begins to repeat itself. In fact, till it does that, it hardly is experience.
Spoilt pleasure is a sad, unseemly thing; you can only bury it.
Characters are not created by writers. They pre-exist and have to be found.
The silence of a shut park does not sound like country silence: it is tense and confined.
Good general-purpose manners nowadays may be said to consist in knowing how much you can get away with.
Silences have a climax, when you have got to speak.
Jane Austen, much in advance of her day, was a mistress of the use of the dialogue. She used it as dialogue should be used-to advance the story; not only to show the characters, but to advance.
without fiction, either life would be insufficient or the winds from the north would blow too cold.
My writing, I am prepared to think, may be a substitute for something I have been born without - a so-called normal relation to society. My books are my relation to society.
Autumn arrives in early morning, but spring at the close of a winter day.
Solitary and farouche people don't have relationships; they are quite unrelatable.
Temperamentally, the writer exists on happenings, on contacts, conflicts, action and reaction, speed, pressure, tension. Were he acontemplative purely, he would not write.
Intimacies between women often go backwards, beginning in revelations and ending in small talk.
Never to lie is to have no lock on your door, you are never wholly alone.
No object is mysterious. The mystery is your eye.
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