... it appears to me that problems, inherent in any writing, loom unduly large when one looks ahead. Though nothing is easy, little is quite impossible.
What must novel dialogue . . . really be and do? It must be pointed, intentional, relevant. It must crystallize situation. It must express character. It must advance plot. During dialogue, the characters confront one another. The confrontation is in itself an occasion. Each one of these occasions, throughout the novel, is unique.
First love, with its frantic haughty imagination, swings its object clear of the everyday, over the rut of living, making him all looks, silences, gestures, attitudes, a burning phrase with no context.
There is no end to the violations committed by children on children, quietly talking alone.
It is in this unearthly first hour of spring twilight that earth's almost agonized livingness is most felt. This hour is so dreadful to some people that they hurry indoors and turn on the lights.
... in nine out of ten cases the original wish to write is the wish to make oneself felt[ellipsis in source] the non-essential writer never gets past that wish.
... a novel survives because of its basic truthfulness, its having within it something general and universal, and a quality of imaginative perception which applies just as much now as it did in the fifty or hundred or two hundred years since the novel came to life.
Education is not so important as people think.
Nothing, that is say no one, can be such an inexorable tour-conductor as one's own conscience or sense of duty, if one allows either the upper hand: the self-bullying that goes on in the name of sight-seeing is grievous.
the slight sense of degeneracy induced by reading novels before luncheon
... in general, the Anglo-Irish do not make good dancers; they are too spritely and conscious; they are incapable of one kind of trance or of being seemingly impersonal. And, for the formal, pure dance they lack the formality: about their stylishness (for they have stylishness) there is something impromptu, slightly disorderly.
... love dreads being isolated, being left to speak in a void -- at the beginning it would often rather listen than speak.
Solitary and farouche people don't have relationships; they are quite unrelatable. If you and I were capable of being altogether house-trained and made jolly, we should be nicer people, but not writers.
On the subject of dress almost no one, for one or another reason, feels truly indifferent: if their own clothes do not concern them, somebody else's do.
Princess Bibesco delighted in a semi-ideal world - a world which, though having a counterpart in her experience, was to a great extent brought into being by her own temperament and, one might say, flair.
rudeness to Mrs. Dosely was like dropping a pat of butter on to a hot plate - it slid and melted away.
In big houses in which things are done properly, there is always the religious element. The diurnal cycle is observed with more feeling when there are servants to do the work.
Almost everyone admits to hunger during the Opera.... Hunger is so exalting that during a last act you practically levitate.
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