There are three rules for writing a novel. Unfortunately, no one knows what they are.
A novel is never anything, but a philosophy put into images.
Writing a novel proved to be the hardest, most self-analyzing task I had ever attempted, far worse than an autobiography: and its rewards were greater than I expected.
For me, writing a novel is like having a dream. Writing a novel lets me intentionally dream while I'm still awake. I can continue yesterday's dream today, something you can't normally do in everyday life.
A fact is a simple statement that everyone believes. It is innocent, unless found guilty. A hypothesis is a novel suggestion that no one wants to believe. It is guilty, until found effective.
I'm a failed poet. Maybe every novelist wants to write poetry first, finds he can't, and then tries the short story, which is the most demanding form after poetry. And, failing at that, only then does he take up novel writing.
A novel is balanced between a few true impressions and the multitude of false ones that make up most of what we call life.
The person, be it gentleman or lady, who has not pleasure in a good novel, must be intolerably stupid.
A good novel tells us the truth about its hero; but a bad novel tells us the truth about its author.
I have never known a novel that was good enough to be good in spite of its being adapted to the author's political views.
If I were a writer, how I would enjoy being told the novel is dead. How liberating to work in the margins, outside a central perception. You are the ghoul of literature. Lovely.
When a writer calls his work a Romance, it need hardly be observed that he wishes to claim a certain latitude, both as to its fashion and material, which he would not have felt himself entitled to assume had he professed to be writing a Novel.
Life is God's novel. Let him write it.
The writing of a novel is taking life as it already exists, not to report it but to make an object, toward the end that the finished work might contain this life inside it and offer it to the reader. The essence will not be, of course, the same thing as the raw material; it is not even of the same family of things. The novel is something that never was before and will not be again.
Novels written with film contracts in mind have a faint but unmistakable, and ruinous, odor.
Of all the words of mice and men, the saddest are, "It might have been.
When a novel comes, it's a grace. Something in the cosmos has forgiven you long enough so that you can start.
The novel is a game or joke shared between author and reader.
An old novel has a history of its own.
I've published several virtually invisible novels and several dozen even more invisible short stories over the years, all of which give me joy - unlike the cumulative experience of seeking publishers for them!
I've heard Stephen King say that when you write a novel you end up revealing everything about yourself.
The novel wins by points, the short story by knockout.
I don't talk about my books while I'm writing them: not even my husband knows what a novel's about until it's done.
Usually, ordinary histories don't get the emotional feel of a period. That's what a novel can do.
Different influences at different times in my career, and some have stayed with me more, some less. Chester Himes. Ralph Dennis, who wrote a series called Hardman which is a big influence on the Hap and Leonard novels. Harlan Ellison, Philip Jose Farmer, Gerald Kersh, Fredrick Brown, Robert Bloch, and I'm just getting started. I read constantly. As for the epic Western, that's Paradise Sky.
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