An opera begins long before the curtain goes up and ends long after it has come down. It starts in my imagination, it becomes my life, and it stays part of my life long after I've left the opera house.
No good opera plot can be sensible, for people do not sing when they are feeling sensible.
I have always believed that opera is a planet where the muses work together, join hands and celebrate all the arts.
I would just like to say that opera is no longer about fat people in breastplates shattering wine glasses.
Advertising is a business of words, but advertising agencies are infested with men and women who cannot write. They cannot write advertisements, and they cannot write plans. They are helpless as deaf mutes on the stage of the Metropolitan Opera.
In opera, there is always too much singing.
Of all the noises known to man, opera is the most expensive.
We consider Monteverdi the first composer of opera. There was someone before, but everything started with Monteverdi.
The first rule in opera is the first rule in life: see to everything yourself
If I am the phantom, it is because man's hatred has made me so. If I am to be saved it is because your love redeems me.
The banging and slamming and booming and crashing were something beyond belief. [On Lohengrin]
It is essential to do everything possible to attract young people to opera so they can see that it is not some antiquated art form but a repository of the most glorious music and drama that man has created.
Even in today's opera world, the position of the black tenor is problematic.
I have witnessed and greatly enjoyed the first act of everything which Wagner created, but the effect on me has always been so powerful that one act was quite sufficient; whenever I have witnessed two acts I have gone away physically exhausted; and whenever I have ventured an entire opera the result has been the next thing to suicide.
Let us be clear: I take ten times more money for a concert than for an opera performance.
Like an opera singer, I am able to sing out my song in paint.
Above all, I am an opera singer. This is how people will remember me.
But I won't deprive myself of singing opera as long as my voice follows.
Later, I even appeared in a Rock Opera with Richard Gere.
I have never heard enough classical music to be able to enjoy it; & the simple truth is, I detest it. Not mildly, but will all my heart. To me an opera is the very climax & cap-stone of the absurd, the fantastic the unjustifiable. I hate the very name of opera - partly because of the nights of suffering I have endured in its presence, & partly because I want to love it and can't.
A Librettist is a mere drudge in the world of opera.
If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves. The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Br?nnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.
Any subject is good for opera if the composer feels it so intently he must sing it out.
I was more of a light opera singer, not really much of a lounge singer.
The opera is to music what a bawdy house is to a cathedral.
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