I actually get a metallic taste in my mouth when I think about electric music.
When you're on stage you have a very strange knowledge of what the audience is. It isn't exactly a sound - it's a hum, like the streets.
If I'm not a jazz player all the time, I've at least been cued in to what I do by jazz.
I grew up with the piano. I learned its language as I learned to speak.
I don't like recording studios - except my own, which is just a little room above the garage.
I'm not talking ideas, or even presentation. It's like in politics: You have to sell something to become an electric player - like your skin or your heart.
I realized that improvisers should probably always have time off. But musicians are always gigging and never have a chance to stop for a minute - unless something drastic occurs.
I'm my own most merciless critic onstage.
Musicians are always gigging and never have a chance to stop for a minute.
When you're up against an electric band like that, it's like you're on two separate planets.
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