Walter J. Phillips Quotes - Page 2

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• The importance of colour is as nothing compared with that of form, chiaroscuro and arrangement. They are the true and enduring bases of pictorial art.

  Walter J. Phillips

  Art, Chiaroscuro, Form

  21 Copy quote

• Artists are perennially implored to consider 'the limitations of the medium.' Whoever invented this expression exaggerated the limitations of the English language. We are not concerned with what effects cannot be produced with our materials.

  Walter J. Phillips

  Artist, Expression, Language

  4 Copy quote

• Do not think me fussy when I specify tidiness. It is essential... In printing, remember that cleanliness and order wait upon success.

  Walter J. Phillips

  Thinking, Order, Waiting

  10 Copy quote

• It is evident that no derivative laws can teach the young student to see and apprehend colour in nature. His perception needs development as urgently as his muscles.

  Walter J. Phillips

  Law, Perception, Needs

  7 Copy quote

• Not only does a lens distort forms, but the ordinary plate makes an unholy mess of colour in its tone relations. Yellow becomes black, and blue white. Black sunflowers against a white sky - what a travesty!

  Walter J. Phillips

  Photography, Blue, Sky

  22 Copy quote

• The portrait painter... If he insults his sitters his occupation is gone. Whether he paints the should instead of the features, or the latter with all its natural blemishes, he is as presumptuous as if he shouted, 'What a face. Hide it.' which would never do, although it is analogous to what landscape painters are doing every day.

  Walter J. Phillips

  Portraits, Gone, Portraiture

  8 Copy quote

• Every successful painter has worked hard. He cannot rest after having gained a certain degree of facility in drawing, and expect to retain it. He must advance or fall behind. Without practice he will forget; his eye will fail him; and his hand will deny its master.

  Walter J. Phillips

  Fall, Eye, Successful

  7 Copy quote

• Some drawings are better than others... Some are utterly spoiled... I keep them all. I find a use sometimes even for the worst drawing... But their chief use is to mortify one's conceit, to show how thoroughly incompetent it is possible to be, and to shame one into better ways.

  Walter J. Phillips

  Failure, Drawing, Use

  7 Copy quote

• The beauties of conception are always superior to those of expression.

  Walter J. Phillips

  Expression, Conception, Superiors

  7 Copy quote

• It is often said that the modern exhibition has ruined painting. It is an unfortunate fact that it does encourage competition, so that, to attract attention to his work, an artist is tempted to descend to sensationalism, whether it is expressed by strong colour, grotesque handling, unusual subject, or sheer size.

  Walter J. Phillips

  Strong, Artist, Competition

  10 Copy quote

• There must be a judicious arrangement of all the parts. Considered conversely, the artist's task is to fill his panel with a design that conforms to its shape and is beautiful in itself.

  Walter J. Phillips

  Beautiful, Artist, Design

  7 Copy quote

• The student's ambition should be to become a painter's painter, rather than a popular painter. The approbation of fellow artists based on sympathy and understanding is manifestly better than the fickle or fast homage of the greater public.

  Walter J. Phillips

  Ambition, Artist, Understanding

  7 Copy quote

• Universal appreciation of art... belongs to those countries and those ages which are not, or were not, ruled by materialism. Though travel was never so easy, literature on art never so profuse, and works of art never so widely distributed, a real passion for pictures is encountered but rarely.

  Walter J. Phillips

  Country, Appreciation, Art

  4 Copy quote

• The syllogism art for art's sake refers to that kind of painting which disregards, or is contrary to, public taste.

  Walter J. Phillips

  Art, Sake, Taste

  4 Copy quote

• It is the incompetent and the neglected artist who charges the public with ignorance, stupidity, and indifference. He raves loudly, but he is incomprehensible, even inarticulate, in his work.

  Walter J. Phillips

  Ignorance, Artist, Stupidity

  7 Copy quote

• In most natural scenes there is a prevailing colour, which the landscape painter must learn to identify, and which must prevail also in a slightly exaggerated form, in his painting, for the sake of truth, harmony and unity.

  Walter J. Phillips

  Unity, Landscape, Sake

  7 Copy quote

• Appreciation is the breath of life to the creative artist, and in spite of modern conditions, there is enough abroad to sustain him. But his name is now legion; he competes with the dead as well as the living; and the rewards and honours seem attenuated by division.

  Walter J. Phillips

  Appreciation, Artist, Names

  4 Copy quote

• Many of the old masters of watercolour painted from notes, with enthusiasm either unabated or renewed. It is hard to assume the same degree of concentration in the studio, but not impossible.

  Walter J. Phillips

  Degrees, Enthusiasm, Impossible

  7 Copy quote

• Any subject is suitable provided it is of sufficient interest, but the design must be very carefully considered, and plenty of time and thought given to its construction.

  Walter J. Phillips

  Design, Construction, Given

  7 Copy quote

• Pseudo-critics prefer to direct their remarks to the artist - Heaven forgive them - but one due rather to a common impression that such an attitude is the correct one, that all paintings should be figuratively mutilated, and that all artists are fair game, or really grateful perhaps for a few tips.

  Walter J. Phillips

  Attitude, Grateful, Artist

  7 Copy quote

• Drawing is the representation of form - the graphic expression of a visual experience.

  Walter J. Phillips

  Expression, Drawing, Form

  7 Copy quote

• Humility counts for much, but it may be that vanity does not dispossess that admirable quality.

  Walter J. Phillips

  Humility, Pride, Vanity

  5 Copy quote

• Many rules for the creation of colour schemes have been published in recent years, but, while they are popular in commercial studies, I know of no creative artist who employs them. They are, per se, restrictive; their use precludes any chance of adventuring in this interesting field.

  Walter J. Phillips

  Artist, Years, Interesting

  4 Copy quote

• Rhythm is as necessary in a picture as pigment; it is as much a part of painting as of music.

  Walter J. Phillips

  Painting, Pigment, Rhythm

  14 Copy quote

• The painter who is so enamoured by the beauties of the parts of a landscape, that he strives to represent all, cannot succeed. His picture will be an arrangement of a series of portraits of things without unity... There must be variety and contrast, but in measured doses.

  Walter J. Phillips

  Simplicity, Unity, Portraits

  7 Copy quote

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