What reinforces the content of a photograph is the sense of rhythm - the relationship between shapes and values.
It is through living that we discover ourselves, at the same time as we discover the world around us.
To take photographs means to recognize - simultaneously and within a fraction of a second - both the fact itself and the rigorous organization of visually perceived forms that give it meaning. It is putting one's head, one's eye and one's heart on the same axis.
To me, photography is the simultaneous recognition, in a fraction of a second, of the significance of an event as well as of a precise organization of forms which give that event its proper expression. And this organization, this precision, will always escape you, if you do not appreciate what a picture is, if you do not understand that the composition, the logic, the equilibrium of the surfaces and values are the only ways of giving meaning to all that is continuously appearing and vanishing before our very eyes.
It's seldom you make a great picture. you have to milk the cow quite a lot to get plenty of milk to make a little cheese.
Photography is an immediate reaction, drawing is a meditation.
The world is being created every minute, and the world is falling to pieces every minute
In whatever one does there must be a relationship between the eye and the heart.
Photographier: c'est mettre sur la meme ligne de mire la tete, l'oeil et le coeur.
Photography is, for me, a spontaneous impulse coming from an ever attentive eye which captures the moment and its eternity.
Everyone has got some preconceptions, but you have to readjust them in front of reality. Reality has the last word.
Thinking should be done before and after, not during photographing.
Of course it's all luck.
As time passes by and you look at portraits, the people come back to you like a silent echo. A photograph is a vestige of a face, a face in transit. Photography has something to do with death. It's a trace.
There is no closed figure in nature. Every shape participates with another. No one thing is independent of another, and one thing rhymes with another, and light gives them shape.
There is a creative fraction of a second when you are taking a picture. Your eye must see a composition or an expression that life itself offers you, and you must know with intuition when to click the camera. That is the moment the photographer is creative. Oop! The Moment! Once you miss it, it is gone forever.
It's wonderful to be famous as long as you remain unknown.
Human faces are such a world!
Culture shock is often felt sharply at the borders between countries, but sometimes it doesn't hit fully until you've been in a place for a long time.
They ... asked me: 'How do you make your pictures?' I was puzzled ... I said, I don't know, it's not important.
Photography is nothing-it's life that interests me.
We cannot develop and print a memory.
The camera can be a machine gun, a warm kiss, a sketchbook. Shooting a camera is like saying, Yes, yes, yes. There is no maybe. All the maybes should go in the trash.
Pictures, regardless of how they are created and recreated, are intended to be looked at. This brings to the forefront not the technology of imaging, which of course is important, but rather what we might call the eyenology (seeing).
It is the photo that takes you. One must not take photos.
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