It's seldom you make a great picture. you have to milk the cow quite a lot to get plenty of milk to make a little cheese.
In whatever one does there must be a relationship between the eye and the heart.
Photographier: c'est mettre sur la meme ligne de mire la tete, l'oeil et le coeur.
To take photographs means to recognize - simultaneously and within a fraction of a second - both the fact itself and the rigorous organization of visually perceived forms that give it meaning. It is putting one's head, one's eye and one's heart on the same axis.
The world is being created every minute, and the world is falling to pieces every minute
Photography is an immediate reaction, drawing is a meditation.
It is through living that we discover ourselves, at the same time as we discover the world around us.
What reinforces the content of a photograph is the sense of rhythm - the relationship between shapes and values.
Poetry is the essence of everything, and it’s through deep contact with reality and living fully that you reach poetry. Very often I see photographers cultivating the strangeness or awkwardness of a scene, thinking it is poetry. No. Poetry is two elements which are suddenly conflict — a spark between two elements. But it’s given very seldom, and you can’t look for it. It’s like if you look for inspiration. No, it just comes by enriching yourself and living.
Photography is, for me, a spontaneous impulse coming from an ever attentive eye which captures the moment and its eternity.
There is a creative fraction of a second when you are taking a picture. Your eye must see a composition or an expression that life itself offers you, and you must know with intuition when to click the camera. That is the moment the photographer is creative. Oop! The Moment! Once you miss it, it is gone forever.
There is no closed figure in nature. Every shape participates with another. No one thing is independent of another, and one thing rhymes with another, and light gives them shape.
Thinking should be done before and after, not during photographing.
Of course it's all luck.
Culture shock is often felt sharply at the borders between countries, but sometimes it doesn't hit fully until you've been in a place for a long time.
As time passes by and you look at portraits, the people come back to you like a silent echo. A photograph is a vestige of a face, a face in transit. Photography has something to do with death. It's a trace.
It's wonderful to be famous as long as you remain unknown.
Human faces are such a world!
They ... asked me: 'How do you make your pictures?' I was puzzled ... I said, I don't know, it's not important.
We cannot develop and print a memory.
Photography is nothing-it's life that interests me.
Everyone has got some preconceptions, but you have to readjust them in front of reality. Reality has the last word.
The camera can be a machine gun, a warm kiss, a sketchbook. Shooting a camera is like saying, Yes, yes, yes. There is no maybe. All the maybes should go in the trash.
Pictures, regardless of how they are created and recreated, are intended to be looked at. This brings to the forefront not the technology of imaging, which of course is important, but rather what we might call the eyenology (seeing).
It is the photo that takes you. One must not take photos.
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