I never saw an ugly thing in my life: for let the form of an object be what it may - light, shade, and perspective will always make it beautiful.
It is the soul that sees; the outward eyes Present the object, but the Mind descries. We see nothing till we truly understand it.
It will be difficult to name a class of landscape in which the sky is not the key note, the standard of scale, and the chief organ of sentiment.
The sky is the source of light in Nature and it governs everything.
We see nothing till we truly understand it.
Still I should paint my own places best; painting is with me but another word for feeling, and I associate "my careless boyhood" with all that lies on the banks of the Stour; those scenes made me a painter, and I am grateful; that is, I had often thought of pictures of them before ever I touched a pencil, and your picture ['The White Horse'] is one of the strongest instance I can recollect of it.
Painting is a science, and should be pursued as an inquiry into the laws of nature. Why, then, may not landscape painting be considered as a branch of natural philosophy, of which pictures are but the experiments?
When I sit down to make a sketch from nature, the first thing I try to do is to forget that I have ever seen a picture.
The world is wide; no two days are alike, nor even two hours; neither were there ever two leaves of a tree alike since the creation of the world; and the genuine productions of art, like those of nature, are all distinct from one another.
Light - dews - breezes - bloom - and freshness; not one of which... has yet been perfected on the canvas of any painter in the world.
The sound of water escaping from mill-dams, etc., willows, old rotten planks, slimy posts, and brickwork.those scenes made me a painter and I am grateful.
Painting is with me but another word for feeling.
An artist who is self-taught is taught by a very ignorant person indeed.
I am anxious that the world should be inclined to look to painters for information about painting. I hope to show that ours is a regularly taught profession; that it is scientific as well as poetic; that imagination alone never did, and never can, produce works that are to stand by a comparison with realities.
Speaking to a lawyer about pictures is something like talking to a butcher about humanity.
Turner has outdone himself; he seems to paint with tinted steam, so evanescent and so airy.
My picture [A Boat Passing a Lock, 1823-6] is liked at the [Royal] Academy, indeed it forms a decided feature and its light can not be put out. Because it is the light of nature - the Mother of all that is valuable in poetry - painting or anything else... my execution annoys most of them and all the scholastic ones - perhaps the scarifies I make for 'lightness' and 'brightness' is too much but these things are the essence of Landscape.
I do not consider myself at work unless I am before a six-foot canvas.
My canvas soothes me into forgetfulness of the scene of turmoil and folly - and worse - of the scene around me. Every gleam of sunshine is blighted to me in the art at least. Can it therefore be wondered at that I paint continual storms? "Tempest o'er tempest roll'd" - still the "darkness" is majestic.
Connoisseurs think the art is already done.
But You know Landscape is my mistress - 'tis to her that I look for fame - and all that the warmth of the imagination renders dear to Man.
He [the artist] ought to have 'these powerful organs of expression' - colour and chiaroscuro - entirely at his command, that he may use them in every possible form, as well as that he may do with the most perfect freedom; therefore, whether he wishes to make the subject of a joyous, solemn, or meditative character, by flinging over it the cheerful aspect which the sun bestows, by a proper disposition of shade, or by the appearances that beautify its arising or its setting, a true "General Effect" should never be lost sight of.
My art flatters nobody by imitation, it courts nobody by smoothness, nobody by petitelieness without either fal-de-lal or fiddle-de-dee; how then can I hope to be popular?
The output is far from smooth, and the impact on dispatchable plant required to deal with residual demand is highly significant. Our view is that plant operating under these conditions in the support role for wind will suffer: 1) reduced availability, 2) significantly reduced efficiency, and thus 3) higher emissions per MWh generated.
A gentleman's park is my aversion. It is not beauty because it is not nature.
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