Jean-Baptiste Camille Corot Quotes

• Never lose the first impression which has moved you.

  Jean-Baptiste Camille Corot

  First Impression, Firsts, Moved

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• Beauty in art is truth bathed in an impression received from nature. I am struck upon seeing a certain place. While I strive for conscientious imitation, I yet never for an instant lose the emotion that has taken hold of me.

  Jean-Baptiste Camille Corot

  Art, Taken, Emotion

  From Corot's 'Notebooks', 1856. "Artists on Art, from the 14 to 20 Centuries". Book by Robert Goldwater and Marco Treves, p. 241, 1972.

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• Be guided by feelings alone. Abandon yourself to your first impression. If you really have been touched, you will convey to others the sincerity of your emotion.

  Jean-Baptiste Camille Corot

  Feeling Alone, Feelings, First Impression

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• Don't imitate, don't follow the others, or else you will lag behind them.

  Jean-Baptiste Camille Corot

  Lag, Behinds

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• I hope with all my heart there will be painting in heaven.

  Jean-Baptiste Camille Corot

  Heart, Heaven, Painting

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• Art is nature as seen through a temperament.

  Jean-Baptiste Camille Corot

  Art, Art Is, Temperament

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• You know, a landscape painter's day is delightful. You get up early, at three o'clock in the morning, before sunrise; you go and sit under a tree; you watch and wait. At first there is nothing much to be seen. Nature looks like a whitish canvas with a few broad outlines faintly sketched in; all is misty, everything quivers in the cool dawn breeze. The sky lights up. The sun has not yet burst through the gauze veil that hides the meadow, the little valley, the hill on the horizon... Ah, a first ray of sunshine!

  Jean-Baptiste Camille Corot

  Morning, Art, Sunshine

  "Letters of the great artists - from Blake to Pollock". Book by Richard Friedenthal, 1963.

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• Listen to the advice of others, but follow only what you understand and can unite in your own feeling. Be firm, be meek, but follow your own convictions. It is better to be nothing than an echo of other painters.

  Jean-Baptiste Camille Corot

  Echoes, Advice, Feelings

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• The most important things in a painting are Form and Value. Color comes last - like a friend you welcome.

  Jean-Baptiste Camille Corot

  Color, Important, Lasts

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• I am never in a hurry to reach details. First and above all I am interested in the large masses and the general character of a picture; when these are well established, then I try for subtleties of form and color. I rework the painting constantly and freely, and without any systematic method.

  Jean-Baptiste Camille Corot

  Art, Character, Color

  From Corot's 'Notebooks', 1850. "Artists on Art, from the 14 to 20 Centuries". Book by Robert Goldwater and Marco Treves, pp. 240-241, 1972.

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• Be guided by feeling alone. We are only simple mortals, subject to error...

  Jean-Baptiste Camille Corot

  Simple, Errors, Feeling Alone

  "Artists on Art - from the 14th - 20th centuries" edited by Robert Goldwater and Marco Treves; Pantheon Books, London, (p. 241), 1972.

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• It is better to be nothing than a follower of other painters. The wise man has said when one follows another one is always behind.

  Jean-Baptiste Camille Corot

  Wise, Men, Followers

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• I work on all parts of my painting at once, improving it very gently until I find that the effect is complete.

  Jean-Baptiste Camille Corot

  Painting, Methodology, Effects

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• ...Art itself may be defined as a single minded attempt to render the highest kind of justice to the visible universe, by bringing to light the truth, manifold and one, underlying its every aspect.

  Jean-Baptiste Camille Corot

  Art, Light, Justice

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• I always entreat the good Lord to give me my childhood back, that is to say, to grant that I may see nature and render it like a child, without prejudice.

  Jean-Baptiste Camille Corot

  Children, Giving, Childhood

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• I am like a child who blows up a bubble of soap. At first the bubble is very small, but it is already spherical. Then the child blows the bubble up very softly, until he is afraid that it will burst.

  Jean-Baptiste Camille Corot

  Children, Blow, Soap

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• The first things to study are form and values. For me, these are the things that are the basics of what is serious in art.

  Jean-Baptiste Camille Corot

  Art, Drawing, Sketching

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• Set up your study or picture in an orderly fashion. This order should not cramp either the linearist or the colorist... Never lose sight of that first impression by which you were moved.

  Jean-Baptiste Camille Corot

  Fashion, Sight, Order

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• Heavens, how charming it is! There is now in the sky only the soft vaporous color of pale citron - the last reflection of the sun which plunges into the dark blue of the night, going from green tones to a pale turquoise of an unheard-of fineness and a fluid delicacy quite indescribable.

  Jean-Baptiste Camille Corot

  Dark, Night, Reflection

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• It seems to me very important to begin by an indication of the darkest values (assuming that the canvas is white), and to continue in order to the lightest value. From the darkest to the lightest I would establish twenty shades...

  Jean-Baptiste Camille Corot

  Order, Important, Twenties

  "Artists on Art - from the 14th - 20th centuries" edited by Robert Goldwater and Marco Treves; Pantheon Books, London, (p. 240), 1972.

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• Do console your poor friend, who is so troubled to see his paintings so miserable, so sad, next to the radiant nature he has before his eyes!

  Jean-Baptiste Camille Corot

  Eye, Next, Painting

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• If my time has come I shall have nothing to complain of. For fifty-tree years I have been painting; so I have been able to devote myself entirely to what I loved best in the world. I had never suffered poverty; I had good parents and excellent friends; I can only thank God.

  Jean-Baptiste Camille Corot

  Art, Years, Tree

  Letter to M. Francais, 1875.

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