The man that hath no music in himself, Nor is not moved with concord of sweet sounds, is fit for treasons, stratagems and spoils.
Some of us think holding on makes us strong; but sometimes it is letting go.
Before a dream is realized, the Soul of the World tests everything that was learned along the way. It does this not because it is evil, but so that we can, in addition to realizing our dreams, master the lessons we’ve learned as we’ve moved toward that dream. That’s the point at which most people give up. It’s the point at which, as we say in the language of the desert, one 'dies of thirst just when the palm trees have appeared on the horizon.
When I was a kid my parents moved a lot, but I always found them.
It is the mark of a truly intelligent person to be moved by statistics.
It was character that got us out of bed, commitment that moved us into action, and discipline that enabled us to follow through.
I believe that if you show people the problems and you show them the solutions they will be moved to act.
True compassion means not only feeling another's pain but also being moved to help relieve it.
My mother has been moved out of intensive care and into a private room where she is being kept comfortable. Thank you for your continued support.
Having spent years ruining the housing markets with their interference, leading to a housing meltdown that has taken the whole economy down with it, politicians have now moved on into micro-managing automobile companies and medical care. They are not going to stop unless they get stopped. And that is not going to happen until the voters recognize the fact that political rhetoric is no substitute for competence.
I really like my life right now. I have friends around me all the time. I’ve started painting more. I’ve been working out a lot. I’ve started to really take pride in being strong. I love the album I made. I love that I moved to New York. So in terms of being happy, I’ve never been closer to that.
I moved in with my grandma when I was 17 and she had this giant bookshelf and it was fascinating to me. She got me into reading. My grandma is part of the writing community. She's so cute - I went to get breakfast with her out in L.A. and she came in with a giant straw hat and orange jumpsuit. She was always a big inspiration in me in continuing in the arts, whether it was acting or I started to paint. I didn't want to be one of those people that was like, "Oh my dad's an actor, so I'm an actor." It just never works out.
This is New York. You gotta work from upstairs to downstairs! You gotta work both ends of the street to have a career. Because it's not just fabricating an artwork. Your works have to go out into the world; they have to go to market. This art on the hoof has to be moved; it's got to go to the slaughterhouse at some point. Keep those dogies rollin'!
My parents left Iran in 1979 and moved to France and then moved to the U.S. My brother was born in France and I was born in New York. I think my parents left France because they felt their kids would never be accepted by French culture. Here they thought we could feel American - that we could feel safe in that way - which was important to them, given what their experiences were in Iran. They used to joke about how I could be president because I was the only one born in America.
I was born in a little village in the south of Holland called Mierlo. It was great growing up in Mierlo. It's a lovely little town where you can run around in the streets and climb trees and all that stuff when you're a kid. Then, when you're a teenager, it's not so fun. But I moved to Paris when I was very young.
When I was younger - in elementary school - my parents are both teachers, so we moved around a lot. For the most part we always lived, before we settled south of Dallas, we always lived in the outskirts of city suburbs, kind of in these weird, desolate neighborhoods. Very brown and flat settings. I love Texas, I love the openness.
When the conversation started to move to the things that we disagreed on, Donald Trump moved it back to the things that we could agree on. I think that's the way you get deals done, right? You and I might disagree 80% of the time but that still gives us 20% opportunity to try to work things out.
I grew up watching old musicals and seeing Ginger Rogers wearing a beautiful fitted bodice that had ostrich feathers. I love how it moved when she danced. Theatrical pieces like that stayed with me. I wanted to grow up to wear those kinds of things.
I was born in the West Village in New York, and then when I was about four my family moved to what they joke is the suburbs, the Upper West Side. I lived there for most of my childhood.
Even though I grew up in an area of England that was more conservative than my personal politics and my family's personal politics, I grew up with a lot of guy friends. There was no real difference between us. When I moved to London, it really became apparent that gender was going to make a mark. I started experiencing sexual intimidation and aggression. People coming up to women on the streets and telling them how hot they are and what they wanted to do to them. For me, that was shocking coming from a village. I thought intersexuality was a great way of exploring that shock.
A key text for me is James Baldwin's essays. And, in particular, his essay Stranger in the Village. It's a text that I've used in a lot of paintings. The essay is from the mid-'50s, when he's moved to Switzerland to work on a novel, and he finds himself the only black man living in a tiny Swiss village. He even says, "They don't believe I'm American - black people come from Africa." The essay is not only about race relations, but about what it means to be a stranger anywhere.
The thing that bothers me is that it seems like all the sensitive stuff I write just goes unnoticed . . . the media doesn't get who I am at all. Or maybe they just can't accept it. It doesn't fit into those negative stories they like to write. I'm the kind of guy who is moved by a song like Don McLean's "Vincent," that one about Van Gogh. The lyric on that song is so touching. That's how I want to make my songs feel. Take "Dear Mama" - I aimed that one straight for my homies' heartstrings.
I am the first one in my family to go to college and I felt a great responsibility when I was at school, because my family was making so many sacrifices for me to be there. I was raised by a single mother, my grandmother got on the plane and helped me move to New York and moved me into the dorm. It was just a big moment, and, yes, it was my dream to be an actress, but also I didn't want to let them down.
The audience does not need to tune themselves to you - you need to tune your message to fit them. Skilled presenting requires you to understand their hearts and minds and create a message to resonate with what's already there. Your audience will be significantly moved if you send a message that is tuned to their needs and desires. They might even quiver with enthusiasm and act in concert to create beautiful results.
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