John Hurt Quotes About Film

Quotes about: Film

• It's quite a dangerous career move to go wilfully on making films that may not find a distributor.

  John Hurt

  Moving, Careers, May

  Interview with Geoff Andrew, www.theguardian.com. April 26, 2000.

• I mark a script like an exam, and I try not to do anything under 50 per cent. Similarly with the part. And also film is a peculiar thing, parts don't necessarily read in script form anything like as well as they can do when it comes to materialising.

  John Hurt

  Trying, Peculiar, Scripts

  Interview with Geoff Andrew, www.theguardian.com. April 26, 2000.

• I've done lots of films with first directors, so it's not unusual for me.

  John Hurt

  Directors, Done, Firsts

  Source: www.filmslatemagazine.com

• A very, very impressive director, Tomas Alfredson. It's only his second film [ 'Tinker Tailor Soldier Spy'], but he's a real find.

  John Hurt

  Real, Soldier, Spy

  Source: www.filmslatemagazine.com

• I find myself more interested in producing. Not because I'm interested in the financial side of it, but just getting together the right elements to make a film, that side of production. I would not be good on the financial side. It would be a disaster from the beginning.

  John Hurt

  Together, Financial, Film

  Source: film.avclub.com

• I have lots of favourite memories but I can't say that I have a favourite film.

  John Hurt

  Memories, Film, Favourite

  Interview with Geoff Andrew, www.theguardian.com. April 27, 2000.

• I'd say the film to avoid is a director's second film, particularly if his first film was a big success. The second film is where you've really needed to have learned something.

  John Hurt

  Directors, Firsts, Film

  Source: www.filmslatemagazine.com

• Films don't take as long as people think. 'Harry Potter,' people always used to say, 'Well, my God, do you ever get any time to yourself?' I think I did, in 'Harry Potter,' over a 12 year period I did five days. So it's not exactly exhausting.

  John Hurt

  Thinking, Years, Long

  Source: www.filmslatemagazine.com

• The common misconception is that we create films for ourselves. And I really don't do it for myself. I get stopped in the street by people saying, "Do you mind if I say this about your work?" Do I mind? I'm delighted. I do it for you. It's not for me. It's my living, yes, sure.

  John Hurt

  People, Mind, Common

  Source: film.avclub.com

• I turn up in Los Angeles every now and then, so I can get some big money films in order to finance my smaller money films.

  John Hurt

  Order, Film, Finance

• The first film is everything you want to say and how you want to say it. Lots of directors will do that and do it really well, but the second film is not so easy.

  John Hurt

  Directors, Want, Firsts

  Source: www.filmslatemagazine.com

• On the other hand, you get other films that are spread over a much longer period of time and it's entirely exhausting. But there's always light at the end of the tunnel with a film.

  John Hurt

  Hands, Tunnels, Light

  Source: www.filmslatemagazine.com

• If I'm in theatre, cinema doesn't even cross my mind. Similarly when I'm making a film, theatre doesn't cross my mind.

  John Hurt

  Mind, Theatre, Cinema

  Interview with Geoff Andrew, www.theguardian.com. April 27, 2000.

• It's quite interesting, looking back at the first one [film about Harry Potter], nobody knew whether or not it was going to be successful as a film. The books were of course already very successful, but that's happened before, where the books were successful and the films weren't at all. But it turned out that they were.

  John Hurt

  Book, Successful, Interesting

  Source: www.filmslatemagazine.com

• If you've got a great crew it's intense, but its quite short. 'The Elephant Man' was longer than most, for an independent film. That was a 14 week film. But it was because of the intrinsic difficulties. We had to invent a different way of filming, because the makeup was so long. A working day for me with a full makeup on was nineteen hours. So obviously you couldn't do that twice running.

  John Hurt

  Running, Independent, Makeup

  Source: www.filmslatemagazine.com

• I've spent a great deal of my life doing independent film, and that is partly because the subject matter interests me and partly because that is the basis of the film industry. That's where the film-makers come from, it's where they start and sometimes its where they should have stayed.

  John Hurt

  Independent, Should Have, Matter

  Interview with Geoff Andrew, www.theguardian.com. April 27, 2000.

• By the time I came to do the final ones [Harry Potter's film], I was working on something that was massively successful. There was a huge difference in indulgence and all sorts of stuff. A very big difference in peoples' attitudes. They were very pleased with themselves. In human terms, it was quite interesting to see the difference.

  John Hurt

  Attitude, Successful, Differences

  Source: www.filmslatemagazine.com

• People say you never retire in this [film] business and I say, well, not until they retire you.

  John Hurt

  People, Film, Retiring

  Source: www.filmslatemagazine.com

• I loved working with [ Lars Von Trier], but I've done two films before, so I was quite used to him.He's a man of incredible moods of course, but he's also a hugely perceptive man, and there's no getting away from that. And he's able to put that perception into something like film, so we're very lucky.

  John Hurt

  Men, Two, Perception

  Source: www.filmslatemagazine.com

• There are certain people that when they ask you to do a film, you just say, "Where and when?"

  John Hurt

  People, Film

  Source: film.avclub.com

• I left drama school and went straight into a 10-week film for which I was paid £75 I might say, which for 1962 was one heck of a lot of money.

  John Hurt

  Drama, School, Might

  Interview with Geoff Andrew, www.theguardian.com. April 26, 2000.

• I got used to [ Lars Von Trier] doing the narration for 'Dogville' and 'Manderley.' And I said to him I do these narrations for you but you never put me in a film! So he called my bluff and put me in 'Melancholia' and I was thrilled about that.

  John Hurt

  Film, Bluffs, Said

  Source: www.filmslatemagazine.com

• I'm not accustomed to doing films without seeing the script. There are certain people that are auteurs, and you accept them regardless of whether you see a script or not. But Spielberg is not an auteur.

  John Hurt

  People, Film, Accepting

  Source: film.avclub.com

• Also the wonderful thing about film, you can see light at the end of the tunnel. You did realize that it is going to come to an end at some stage.

  John Hurt

  Tunnels, Light, Realizing

  Interview with Geoff Andrew, www.theguardian.com. April 26, 2000.

• The director [Elfar Adalsteins] came to me through my agent and I had a read of the script [of the "Sailcloth]. I thought immediately this is someone who is writing for the cinema. Not having to go through the tedious business of taking something from literature and making that awful leap that is so difficult to make anyway, from literature to cinema. It's refreshing to be able to deal with a subject like that, to be written where the driving force is the image on screen and you don't need any words. The more that we can do that [in film], the better.

  John Hurt

  Writing, Able, Awful

  Source: www.filmslatemagazine.com

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