Each artist attracts his own different set of fans. And G3 over the years has created it's own audience as well... they know it's something unusual and special that they're not going to get anywhere else ... young and old, both sexes, all come out. They all look at each other like, Wow, what are those people over there ? ... They're surprised at their own diversity.
It's funny how you can struggle with one piece and write a better one in a minute. When things come easy, it means it's good.
If someone can relate my guitar solo to an exercise in a book... that's no fun at all.
Song ideas have come to me in the middle of interviews, in the shower, or while I'm writing another song.
I started learning to sing what I liked, to experience it in a visceral way. Then it's inside. Get rid of the neurosis and then you can improvise.
Solos I kind of [couldn't] care less about. I know most people probably think that's what I care most about, but it's really the melody playing that is the cornerstone of what I'm working on.
When I want to play music, you've got to get me on tape or else it goes.
I'm ready to take the heat.
When these guitar mags bring up that stuff up and say such and such came up with this and that which is pushing the boundaries, I just say, "let's step back for a minute and admit something: nothing has happened for the last 100 years." And it's okay. It's not a bad thing ... We're all working with "tools" that have been in existence for the last 100 years and there hadn't been a new "tool" for a long long time.
R.I.P. Steve Jobs. I bet you're busy right now revolutionizing and redesigning the afterlife for all of us to enjoy when our time comes
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