The fact is, these are actors playing parts, and maybe it's not such a bad thing that people be reminded of that. Both of these actors gave heart and soul to the Twilight movies, not only during shooting, but also by navigating so graciously the whole life-in-a-fishbowl aspect of the phenomenon. Above all they have always shown great respect for the fans who made these movies such a success. Now it's time that some of that respect be returned to them.
There's nothing quite as good as folding up into a book and shutting the world outside.If I pick the right one I can be beautiful, or fall in love, or live happily ever after. Maybe even all three.
The thing I've noticed about life is that it just keeps coming at you. And it can be a real bummer. What you need to remember is that you're not alone. You've got friends and family. That's how we get by. We talk and share and eat cake and giggle in the dark, even when we're scared - no, especially when we're scared.
For me, someone like the Eddie Murphy character doesn't live anywhere; he lives on a stage and when he's not on the stage he's on a bus getting to the next stage. You don't really want to see him at home, or all those things you can do in the movie.
Our relationships, relationships between adults, how all those pieces fit together - that's the most complicated thing we all face.
When it comes to two of the big social earthquakes in the last fifty years - which are the gay movement and the women's movement - I think there is a direct line from Kinsey to those.
Kinsey thought that Freud in his own way was as dangerous as the Catholic Church.
Because his basic idea that he got from the study of gall wasps is that everyone's sexuality is unique.
Kinsey was six foot five, and he had this leader of men quality.
Kinsey was trying to study sex scientifically, get rid of the overlay of culture and religion.
It's in the nature of television to restrain the spontaneity of a live event. Things become more and more prepackaged.
Kinsey would identify himself with Galileo in moments of feelings of persecution.
I think that finding a way into somebody's life that's sort of off from a side angle can tell you more about that person than a greatest hits approach.
I think it would be fun to write about movies again.
No piece of writing is ever finished. It’s just due.
A scientist is an unlikely character to put at the center of a movie.
But the imposition of morality onto science, - where it does not belong - has become rampant in recent years.
I do think that's so much a part of what being a director is - in working with actors - to really try and be sensitive to what each actor needs to get to where he wants to be.
First of all, just knowing people who grew up in the movie business at that time, no one had Mexican maids.
I really think the biopic thing so rarely works, because peoples lives dont have a dramatic shape that can be satisfying.
From its inception by Michael Bennett, 'Dreamgirls' has always been an epic story with an ensemble cast. I didn't change that. The screen version remains, really, a group story.
I don't think 'Twilight' should be approached like 'Batman.' Because it is an invented kind of world, especially this one, I think it's got to be done with a sense of enjoyment to it I guess more than anything. So I never thought of anything as making fun of it, but kind of reveling in the melodrama of it. It's a melodrama.
I had a couple of movies that I was passionately involved with that I could never get made. 'Richard Pryor,' I wrote for - gosh - over a year. That was close to getting made for two-and-a-half years after that. We're still pushing it, you know. It is weird. Suddenly you wake up and it's like, 'God, five years have gone by.
My idea of a beach holiday is going to New York for two weeks, just going and hanging out.
Problems emerge and some people try to sweep them under the rug.
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