The 'good' mother, with her fixed smile, her rigidity, her goody-goody outlook, her obsession with unnecessary hygiene, is in fact a fool. It is the 'bad' mother, unafraid of a joke and a glass of wine, richly self-expressive, scornful of suburban values, who is, in reality, good.
There is a slovenly disrespect for truth and reality that has infected and cross-infected the arts; the values of entertainment are relentlessly in the ascendant, to the extent that it becomes virtually impossible to write a naturalistic fictional sentence without feeling that the fabric of that sentence is already compromised.
Divorce also entails the beginning of a supposition that that familial reality might have obstructed one's ability to perceive others.
Reality might be described as the eternal equipoise of positive and negative.
Human beings have a need, generally, to destroy things. The Freudian principle of civilisation is correct. There's always, always a difference between the family image and the reality.
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