I think it's one of my favourite theatres ever, so quirky and wonderful and steeped in history. The space is wonderful and the acoustics are brilliant.
I cannot understate the ability to handle classical texts such as Shakespeare.
I found that a bit unfair. However, I did feel quite liberated when I left. I'm very grateful to the show - it revived a flagging career, but I'm glad to be away from it now.
They can certainly expect to be very impressed with the technical aspects of the show, fooled and led up the garden path by the story and ultimately have a jolly good laugh!
It was all to do with the change of producer as well as political reasons I don't really comprehend.
I've been on the road for four years. I won't recognise the place again, until I walk out on stage.
I'm hopefully touring with Colin Baker next year in Perfect Strangers. I have performed with Sylvia Simms in poetry and music evenings. I would love to do those for the rest of my career - they are so fun and witty.
I'm quite grateful to the BBC. They helped me back onto the touring circuit.
Tom is the most eccentric person I have ever worked with. We get on very well and I am most impressed with how he can hold an audience in the palm of his hand.
They handled it very badly. It was disappointing and very humiliating. John York was very rude. He never consulted with me over what he said to the press.
I never watch TV. I'm a Radio Four addict. I love listening to music too.
I would love to go back as Leela in this new series.
We were the victims of the new producer but what annoyed me was they told the press we were leaving before us.
It's a comedy thriller, brilliantly written and it's full of twists and turns at every page. When I was reading it I was desperate to get to the end to find out what happens, it really hooks you.
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