It is strange, but nobody is shocked when pop singers make a fortune in the space of two years.
I was married at 16, a father at 17 and divorced at 18.
When facing symphonic orchestras which have played some works five thousands times, you have nothing to do.
When I was a young man, I was a baritone, very far from possessing the whole range of the tenor then.
Every three days on average, I am alone on stage, facing the public.
I attended less than two years of Conservatory in Mexico City.
When working with an orchestra, you never spend more than 20 minutes per recording session.
Should it happen tomorrow, I would fall to my knees to give thanks to God for such a career.
With my personal preparation at the piano, I can afford to hum at half voice.
If money was my only motivation, I would organize myself differently.
Don't you think it astonishing that, at 58, I am still working at improving my career?
I have always studied my parts with the orchestral score and not with the piano reduction.
This season, over eight productions, I am presenting four young tenors.
I will prove that a great conducting career is expecting me.
I feel at home in an orchestral score.
The public made me and then encouraged me for many years, and my future even now depends upon it.
Honestly, if the public still wants to hear me in some works, I have to go down a half step.
The public is a part of my real life.
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