When you are young you don't always realise how full of doubts everybody is.
Writing children's books gives a writer a very strong sense of narrative drive.
My first collection of poems was published by Bloodaxe Books, which was then a very new imprint.
Mourning Ruby is not a flat landscape: it is more like a box with pictures painted on every face. And each face is also a door which opens, I hope, to take the reader deep into the book.
Those who try to obliterate the past are injuring the present.
It is a violation which has obsessed the tyrants of the twentieth century. They do not want simply to kill their opponents, but to liquidate them, to deny that they have ever existed.
I was always influenced by language.
I didn't choose Russia but Russia chose me. I had been fascinated from an early age by the culture, the language, the literature and the history to the place.
However, I began to submit poems to British magazines, and some were accepted. It was a great moment to see my first poems published. It felt like entering a tradition.
However, the difficulties and pleasures of the writing itself are similar for a novel with a historical setting and a novel with a contemporary setting, as far as I'm concerned.
For you where never my blood sister so no more shall I call you little sister
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