Helen Vendler Quotes

• You don’t read or overhear the voice in the poem, you are the voice in the poem.

  Helen Vendler

  Voice

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• Each poem leads you to the questions it makes sense to ask it.

  Helen Vendler

  Make Sense, Asks

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• The non-artists among us are always terribly busy, but finally disappear without a trace.

  Helen Vendler

  Artist, Busy, Disappear

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• For the mind and the imagination, bookstores aren't enough, college courses aren't enough, the Internet isn't enough. Those resources are all governed by the tastes and needs of the moment. Only libraries take the long view, quietly shelving the unused with the used, knowing that one of these days the two categories will be reversed by a student's discovery of those hitherto undisturbed volumes whose contents will unsettle the learned world.

  Helen Vendler

  College, Discovery, Views

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• One could say that artists are people who think naturally in highly patterned ways.

  Helen Vendler

  Artist, Thinking, People

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• A poem needs imaginative rhythms as well as imaginative transformation of content.

  Helen Vendler

  Needs, Transformation, Rhythm

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• All good poets of the past, almost without exception, were at least bilingual if not trilingual.

  Helen Vendler

  Past, Poet, Exception

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• The art of utterance persuades initially by its music and its rhythm, before semiotic or personal characteristics come into play.

  Helen Vendler

  Art, Play, Utterance

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• I do not give the honorific name of 'poetry' to the primitive and the unaccomplished.

  Helen Vendler

  Names, Giving, Primitive

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• Soul or Intelligence destined to possess the sense of Identity.

  Helen Vendler

  Soul, Identity, Destined

  Helen Vendler (1988). “The Music of what Happens: Poems, Poets, Critics”, Harvard University Press

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• If you like the precision and concision of poetry, a page of prose is unsatisfying in a certain way. And poetry is so direct.

  Helen Vendler

  Pages, Way, Precision

  "Helen Vendler: Poetry Critic and Fan of Art History". Interview with Amy Sutherland, www.bostonglobe.com. November 17, 2012.

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• I like art history and art criticism. Leo Steinberg has always been my favorite. Hes very original, very accurate and acute.

  Helen Vendler

  Art, Criticism, My Favorite

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• Twentieth-century American poetry has been one of the glories of modern literature.

  Helen Vendler

  Literature, Glory, Modern

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• When I first heard Wallace Stevens voice, it was by chance: a friend wanted to listen to the recording he had made for the Harvard Vocarium Series.

  Helen Vendler

  Voice, Firsts, Chance

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• I liked teaching Henry James. When you look down at a Henry James novel from a helicopter height, you find an intricate spider web that all clings together.

  Helen Vendler

  Teaching, Together, Spiders

  "Helen Vendler: Poetry Critic and Fan of Art History". Interview with Amy Sutherland, www.bostonglobe.com. November 17, 2012.

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• There are not many poets whose fame rests on a single work.

  Helen Vendler

  Fame, Poet

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• I was unnerved to learn in my twenties that the poems of Emily Dickinson that I had memorized as a girl were not the poems as she had written them.

  Helen Vendler

  Girl, Twenties, Written

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• For the critic, criticism is a form of natural self-expression, as poetry is to the poet. So, for a critic, criticism is a true thing. Criticism isn’t written for poets, it’s written for other readers. One hopes it is true for other readers if it’s true for oneself.

  Helen Vendler

  Self, Expression, Criticism

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