The truth is the light and the light is the truth.
I suspect that all the agony that goes into writing is borne precisely because the writer longs for acceptance-but it must be acceptance on his own terms.
Words are your business, boy. Not just the word. Words are everything. The key to the rock, the answer to the question.
And my problem was that I always tried to go in everyone's way but my own.
The blues is an art of ambiguity, an assertion of the irrepressibly human over all circumstances, whether created by others or by one's own human failing.
I'm not a separatist. The imagination is integrative. That's how you make the new -- by putting something else with what you've got. And I'm unashamedly an American integrationist.
I am one of the most irresponsible beings that ever lived. Irresponsibility is part of my invisibility; any way you face it, it is a denial. But to whom can I be responsible, and why should I be, when you refuse to see me?
Our task, then always, is to challenge the apparent forms of reality-that is, the fixed manner and values of the few, and to struggle with it until it reveals its mad, vari-implicated chaos, its false face, and so on until it surrenders its insight, its truth.
It is sometimes advantageous to be unseen, although it is most often rather wearing on the nerves.
The blues is an impulse to keep the painful details and episodes of a brutal experience alive in one's aching consciousness, to finger its jagged grain, and to transcend it, not by the consolation of philosophy but by squeezing from it a near-tragic, near-comic lyricism. As a form, the blues is an autobiographical chronicle of personal catastrophe expressed lyrically.
America is woven of many strands; I would recognize them and let it so remain. It's 'winner take nothing' that is the great truth of our country or of any country. Life is to be lived, not controlled; and humanity is won by continuing to play in face of certain defeat. Our fate is to become one, and yet many - This in not prophecy, but description.
The thing to do is to exploit the meaning of the life you have.
Who knows but that, on the lower frequencies, I speak for you?
And while the ice was melting to form a flood in which I threatened to drown I awoke one afternoon to find that my first northern winter had set.
It took me a long time and much painful boomeranging of my expectations to achieve a realization everyone else appears to have been born with: That I am nobody but myself.
I denounce because though implicated and partially responsible, I have been hurt to the point of abysmal pain, hurt to the point of invisibility. And I defend because in spite of it all, I find that I love.
Life is as the sea, art a ship in which man conquers life's crushing formlessness, reducing it to a course, a series of swells, tides and wind currents inscribed on a chart.
I suddenly recall the arpeggios of laughter lilting across the tender, springtime grass-gay-welling, far-floating, fluent, spontaneous, a bell-like feminine fluting, then suppressed; as though snuffed swiftly and irrevocably beneath the quiet solemnity of the vespered air now vibrant with somber chapel bells.
the world is just as concrete, ornery, vile, and sublimely wonderful as before, only now I better understand my relation to it and it to me.
The antidote to hubris, to overweening pride, is irony, that capacity to discover and systematize ideas.
Perhaps everyone loved someone; I didn't now, I couldn't give much thought to love; in order to travel far you had to be detached, and I had the long road back to the campus before me.
The clock ticked with empty urgency, as though trying to catch up with the time. In the street a siren howled.
That which we remember is, more often than not, that which we would like to have been; or that which we hope to be. Thus our memory and our identity are ever at odds; our history ever a tale told by inattentive idealists.
Everywhere I've turned somebody has wanted to sacrifice me for my own good—only /they/ were the ones who benefited. And now we start on the old sacrificial merry-go-round. At what point do we stop?
America is woven of many strands. I would recognize them and let it so remain.
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