Our universities advocate fragmentation in their course systems.
Ancient Rome was as confident of the immutability of its world and the continual expansion and improvement of the human lot as we are today.
The delusion of entertainment is devoid of meaning. It may amuse us for a bit, but after the initial hit we are left with the dark feeling of desolation.
God's designs may be frequent justification for our actions, but it is we, the "self-made men", who take the credit.
The great dream merchant Disney was a success because make-believe was what everyone seemed to need in a spiritually empty land.
Western history has been a history of deed done, actions performed and results achieved.
Rationalism is the enemy of art, though necessary as a basis for architecture.
The Renaissance is studded by the names of the artists and architects, with their creations recorded as great historical events.
In those countries with centuries of a craft tradition behind their building methods, techniques are tightly coordinated under the direction of the architect.
Our settlement of land is without regard to the best use of land.
We can appreciate but not really understand the medieval town. We cannot comprehend its compactness, the contiguity of all its buildings as a single uninterrupted whole.
The innovative spirit was America's strongest attribute, transforming everything into a brave new world, but there lingered an insecurity about the arts.
We are stymied by regulations, limited choice and the threat of litigation. Neither consultants nor industry itself provide research which takes architecture forward.
The obsession with performance left no room for the development of the intuitive or spiritual impact of space and form other than the aesthetic of the machine itself.
What is the thread of western civilization that distinguished its course in history? It has to do with the preoccupation of western man with his outward command and his sense of superiority.
No phenomenon can be isolated, but has repercussions through every aspect of our lives. We are learning that we are a fundamental part of nature's ecosystems.
This great, though disastrous, culture can only change as we begin to stand off and see... the inveterate materialism which has become the model for cultures around the world.
Today's developer is a poor substitute for the committed entrepreneur of the last century for whom the work of architecture represented a chance to celebrate the worth of his enterprise.
The artist likes to seem totally responsible for his work. Often he begins to explain it, to make it appear as if it were a reasonable process.
We regard those other cultures such as that of India, where many people live and believe and behave much as they did 1000 or 2000 years ago - as "undeveloped".
Modernism released us from the constraints of everything that had gone before with a euphoric sense of freedom.
Nearly all of the advances in structural and aesthetic innovation is coming from abroad.
Nowhere has specialization penetrated so deeply into the building professions as North America.
Materialism has never been so ominous as now in North America, as management takes over.
We settled this continent without art. So it was easy for us to treat it as an imported luxury, not a necessity.
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