Compared to industry in Europe or Japan, where industry was based on a craft tradition, we are sadly behind.
Tahiti has been spoiled for many years, but Bali is one of the few cultures with origins in one of the great ancient cultures which is still alive.
The Achilles Heel of the Americas was the lack of cultural confidence typical of new settlers.
The new architecture of transparency and lightness comes from Japan and Europe.
We are guilty for sending teams into foreign countries to advise them how to be like us.
We are yet to have a conscience at all about the exploitation of human cultures.
We find Japan a little more difficult to understand because it has proven its 20th century prowess though the ancient traditions still persist.
Whenever we witness art in a building, we are aware of an energy contained by it.
We have today a fairly thorough knowledge of the early Greco-Roman period because our motivations are the same.
With production alone as the goal, industry in North America was dominated by the assembly line, standardization for mass consumption.
There is a single thread of attitude, a single direction of flow, that joins our present time to it's early burgeoning in Mediterranean civilization...
No wonder the film industry started in the desert in California where, like all desert dwellers, they dream their buildings, rather than design them.
The details are the very source of expression in architecture. But we are caught in a vice between art and the bottom line.
Does an architecture to assuage the spirit have a place in all this? Unfortunately we are no longer the interpreters of our culture's myths but the followers of that dubious client, the developer, who has little patience with the art of architecture, the fine detail and obscure promise, which can upset his financial activity.
We are not peddlers of the fashionable. We believe that good design defies fashion, is truly innovative, eminently sensible, yet a source of inspiration to those who have the pleasure of living with it.
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