When people are still getting pleasure from something that you did 30 years ago, it makes you feel good. I always say it makes an old man happy.
I'm not even against superheroes. It's not my cup of tea. But there's just this endless stream of them and they are so repetitious and suspend certain rules in a way that I don't find dramatically helpful. The imperviousness can be too much.
I liked Batman because he was more grounded. I never liked Superman much or Captain Marvel or Shazam.
I think the problem with the cinema currently is that so much of the money that goes movies that offer a certain kind of repetition.
When you get into making movies, then the physical mundane reality of life must be presented. But in comics you can jack it up and work in shorthand.
It always sounds kind of trivial, but when I was a kid I was always so impressed by how serious the comic books were. I always liked how they were half way between literature and the cinema. I liked the visuals and I liked the simplicity of a certain type of moral dilemma.
The graphic novel form really interests me and I like the freedom that format offers.
I always loved comic books and I'm still a great fan of the graphic novel.
There's a tricky tone where you try to get some humor into a movie that's also a tough tale of murder and revenge. You have to ice skate rather carefully between the humor and the action tension part of the drama.
I'm doing my best. I read in the paper that I'm an action director. They always say that, "Action director Walter Hill", if they bother writing about me at all. I think that's fine. I'm happy to do the work.
I think action movies on the whole have moved more and more into large spectacle, even leaving out super hero movies that seem to me to be more a fantastic science fiction than they are action movies.
Action movies to me are dramas with recognizable human beings that are in extraordinary situations.
Conversations about films are always funny. I would say a majority of people want to talk about what were the more obvious successes; the big box office films. Other people wanting to be more sensitive to you want to talk about the ones that maybe didn't make a lot of money, but they think you might have a special feeling about. And then other people sometimes want to help you by suggesting that you should have done this or that in the movie, that that would have helped you a great deal in whatever capacity.
I'm always happy to talk to somebody; it's flattering that people remember your movies. Especially some movie that you did, for Christ's sake, almost 35 years ago, or what's especially pleasant is if you're talking about some movie that you did 35 years ago and they're 20 years old.
All producers encourage you, whatever it is, to make it more-so. If you've got a joke, can it be funnier? If you've got an action sequence, can it be more exciting? That's the nature of being a producer.
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