Being a creator of a song I get to take all these broken fragments of failure and chaos and weave together something beautiful and meaningful. Decay. Death. Pain. Fall. And if God is a songwriter then these fallen leaves of mine can be redeemed
Music has always been a location for me to run to, whether it's through someone else's song or my own. I can observe my own planet from this foreign land and things make sense within the telescopic lens of song.
I began thinking about the idea of a 24 hour concert. What if you tied songs to certain hours of the day - creating a 24 hour world of lyric and melody. So that was the inspiration for this project.
I love a good pop song. I have no problem with the concept of doing that sort of thing. For me, it's usually what I'm inspired by, what I'm thinking about.
Music is a handshake where I, as a songwriter, am only part of the equation. I love that, the fact that you can make the song your own.
As far as when I'm writing a song, I think I'm writing first and foremost for myself.
For me songs are born out of the gray space, the things I don't fully understand, the things that I can't put in my pocket.
When I'm happy, when I'm enjoying life, I'm home, I'm surfing, I'm spending time with my wife, my friends and I'm not thinking about the pain. And then the moment I encounter something that feels difficult, I feel like that's when, for me, I turn to writing and thinking and maybe a song comes from that.
Pain is a common emotion in many of my songs mainly because I often don't know other ways to express it adequately. In my songs I wrestle with the things that I don't understand.
For me, I want to create a environment for the songs to live in. So one song by itself only tells a piece of the story, but in the context of the album, more of the colors are revealed.
Paste just might be my favorite music magazine. They have shed light on many incredible, under-appreciated folks over the years, helping me find new tunes to accompany me through life. We were honored to give a song in return.
My faith, I mean, that's such a personal aspect that a lot of times, of course it's going to come out through the song. But at the same time, I'm not a religious salesman. I feel like God doesn't really need a salesman, and what these songs are are simply my interactions with this life and learning. I guess the bottom line is the songs are really honest, you know what I mean. That faith is going to come through. If the listener is looking for it, that's definitely a part of it.
I often use music as a handle for very emotionally explosive substances: love, sex, God, fear, doubt, politics, the economics of the soul - these are daunting thoughts in the back of my mind that I rarely visit without the safety gloves of song.
Music is mere tuning a song with words; to some degree you have a beautiful endeavor of cosigning God's blank checks and you're actually co-creating. You're certainly not the creator with the capital C, but you're embarking on an endeavor, you're using the building blocks that have been given to you by the author of time and space.
I try to write songs just for the song itself. I don't try and think about where it's going to end up, that way you're writing for the good of the song.
I think that to believe is to acknowledge that it's a choice in that present tense and that doubt is always an option. You’re not dealing with a fact like one plus one equals two—I’m gonna choose to believe that. It’s kind of one of those things where you are choosing to believe that someone loves you. That is always going to be your choice. So for me, I think that’s what makes the faith that I have volatile and explosive and dangerous and troubling. That’s what most of my songs are about.
Most of the time a spark of beauty or truth will start a fire of a song but fires rarely produce goodness on their own ... you need to control them and put them to work.
I'm always thinking about songs, I'm thinking of life maybe a little bit more lyrically than a computer programmer or someone like that.
You want songs to sound cohesive with the other songs on the record but when you first start writing you just want to write to tell the truth.
Experience is all I have. I equate song-writing with archeology. Every day you dig. You dig into different places within yourself - even finding places that you've rarely been. And buried within the soil is song.
For me, the good songs are the ones that come really naturally. There are certain songs that you rework and rewrite and the craft becomes very evident, but a lot of times those aren't my favorite songs. The favorite songs are the ones that I can't even hear my own voice in.
I'm not really one to be on camera, I'd rather be writing songs.
C.S. Lewis says that fiction is able to sneak past the watchful dragons of religion. It becomes more powerful to speak in poetry. The song goes straight to the heart while the numbers and the math of it will never be able to reach that.
I've always been fascinated with the strong emotional ties that music can have. A song can bring you back to a place or a season of life like no other art form can.
It's really hard to fit a complex idea into a 3-minute pop song. And when you're dealing with issues that you're passionate about, usually they have various levels. And within a poem, you can get around the issue of space, and in a song the same way, by simply leaving holes and alluding to what you're talking about.
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