Rudolf Arnheim Quotes

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• All perceiving is also thinking, all reasoning is also intuition, all observation is also invention.

  Rudolf Arnheim

  Thinking, Perception, Intuition

  Rudolf Arnheim (2004). “Art and Visual Perception: A Psychology of the Creative Eye”, p.5, Univ of California Press

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• The arts are neglected because they are based on perception, and perception is disdained because it is not assumed to involve thought.

  Rudolf Arnheim

  Art, Perception, Neglected

  Rudolf Arnheim (2004). “Visual Thinking”, p.3, Univ of California Press

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• Once it is recognized that productive thinking in any area of cognition is perceptual thinking, the central function of art in general education will become evident.

  Rudolf Arnheim

  Art, Thinking, Cognition

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• Television is a new, hard test of our wisdom. If we succeed in mastering the new medium it will enrich us. But it can also put our mind to sleep. We must not forget that in the past the inability to transport immediate experience and to convey it to others made the use of language necessary and thus compelled the human mind to develop concepts. For in order to describe things one must draw the general from the specific; one must select, compare, think. When communication can be achieved by pointing with the finger, however, the mouth grows silent, the writing hand stops, and the mind shrinks.

  Rudolf Arnheim

  Communication, Sleep, Writing

  Rudolf Arnheim (1957). “Film as Art”, p.195, Univ of California Press

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• But art not only exploits the variety of appearances, it also affirms the validity of individual outlook and thereby admits a further dimension of variety. Since the shapes of art do not primarily bear witness to the objective nature of the things for which they stand, they can reflect individual interpretation and invention.

  Rudolf Arnheim

  Art, Shapes, Bears

  Rudolf Arnheim (2004). “Visual Thinking”, p.300, Univ of California Press

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• No longer can we consider what the artist does to be a self-contained activity, mysteriously inspired from above, unrelated and unrelatable to other human activities. Instead, we recognize the exalted kind of seeing that leads to the creation of great art as an outgrowth of the humbler and more common activity of the eyes in everyday life. Just as the prosaic search for information is "artistic" because it involves giving and finding shape and meaning, so the artist's conceiving is an instrument of life, a refined way of understanding who and where we are.

  Rudolf Arnheim

  Art, Eye, Self

  Rudolf Arnheim (2004). “Art and Visual Perception: A Psychology of the Creative Eye”, p.5, Univ of California Press

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• When the thing observed... is seen as an agglomeration of pieces, the details lose their meaning and the whole becomes unrecognizable. This is often true of snapshots in which no pattern of salient shapes organizes the mass of vague and complex nuances.

  Rudolf Arnheim

  Nuance, Details, Snapshots

  Rudolf Arnheim (2004). “Art and Visual Perception: A Psychology of the Creative Eye”, p.44, Univ of California Press

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• In a land of immigrants, one was not an alien but simply the latest arrival.

  Rudolf Arnheim

  Land, Aliens, Immigrants

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• Both art and science are bent on the understanding of the forces that shape existence, and both call for a dedication to what is. Neither of them can tolerate capricious subjectivity because both are subject to their criteria of truth. Both require precision, order, and discipline because no comprehensible statement can be made without these. Both accept the sensory world as what the Middle Ages called signatura regrum, the signature of things, but in quite different ways.

  Rudolf Arnheim

  Art, Dedication, Order

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• The least touchable object in the world is the eye.

  Rudolf Arnheim

  Eye, World, Objects

  Rudolf Arnheim (1990). “Parables of Sun Light: Observations on Psychology, the Arts, and the Rest”, p.13, Univ of California Press

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• Variety is more than a means of avoiding boredom, since art is more than an entertainment of the senses.

  Rudolf Arnheim

  Art, Mean, Blessing

  Rudolf Arnheim (1974). “Entropy and Art: An Essay on Disorder and Order”, p.55, Univ of California Press

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• Order is a necessary condition for anything the human mind is to understand.

  Rudolf Arnheim

  Order, Understanding, Mind

  Rudolf Arnheim (1974). “Entropy and Art: An Essay on Disorder and Order”, p.1, Univ of California Press

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• The principle of parsimony is valid esthetically in that the artist must not go beyond what is needed for his purpose.

  Rudolf Arnheim

  Artist, Principles, Purpose

  Rudolf Arnheim (1954). “Art and Visual Perception: A Psychology of the Creative Eye”, p.46, Univ of California Press

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• The ambition of instantaneous photography... was that of preserving the spontaneity of action and avoiding any indication that the presence of the picture taker had a modifying influence on what was going on.

  Rudolf Arnheim

  Photography, Ambition, Action

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• Good art theory must smell of the studio, although its language should differ from the household talk of painters and sculptors.

  Rudolf Arnheim

  Art, Smell, Language

  Rudolf Arnheim (2004). “Art and Visual Perception: A Psychology of the Creative Eye”, p.4, Univ of California Press

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• Some popular quotations smell of airless closets. They exhale the stale imagination of the intellectual lower middle class. "Suspension of disbelief" has become one of them. Dressed up as a scintillating double negation, it serves the pedestrian notion of art as illusion.

  Rudolf Arnheim

  Art, Class, Smell

  Rudolf Arnheim (1990). “Parables of Sun Light: Observations on Psychology, the Arts, and the Rest”, p.163, Univ of California Press

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• Art is continually working to take the crust of familiarity off everyday objects.

  Rudolf Arnheim

  Art, Everyday Objects, Familiarity

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• Just as a chemist "isolates" a substance from contaminations that distort his view of its nature and effects, so the work of art purifies significant appearance. It presents abstract themes in their generality, but not reduced to diagrams.

  Rudolf Arnheim

  Art, Science, Views

  Rudolf Arnheim (2004). “Visual Thinking”, p.273, Univ of California Press

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• Now the work of art also represents a state of final equilibrium, of accomplished order and maximum relative entropy, and there are those who resent it. But art is not meant to stop the stream of life. Within a narrow span of duration and space the work of art concentrates a view of the human condition; and sometimes it marks the steps of progression, just as a man climbing the dark stairs of a medieval tower assures himself by the changing sights glimpsed through its narrow windows that he is getting somewhere after all.

  Rudolf Arnheim

  Art, Dark, Men

  Rudolf Arnheim (1974). “Entropy and Art: An Essay on Disorder and Order”, p.56, Univ of California Press

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• From building a fire one can learn something about artistic composition. If you use only small kindling and large logs, the fire will quickly eat up the small pieces but will not become strong enough to attack the large ones. You must supply a scale of sizes from the smallest to the largest. The human eye also will not make its way into a painting or building unless a continuum of shapes leads from the small to the large, from the large to the small.

  Rudolf Arnheim

  Strong, Eye, Fire

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• Every act is a visual judgement.

  Rudolf Arnheim

  Choices, Judgement, Visuals

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• The arts, as a reflection of human existence at its highest, have always and spontaneously lived up to this demand of plenitude. No mature style of art in any culture has ever been simple.

  Rudolf Arnheim

  Art, Reflection, Simple

  Rudolf Arnheim (1974). “Entropy and Art: An Essay on Disorder and Order”, p.49, Univ of California Press

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• Order is a prerequisite of survival; therefore the impulse to produce orderly arrangements is inbred by evolution.

  Rudolf Arnheim

  Order, Survival, Inbreds

  Rudolf Arnheim (1974). “Entropy and Art: An Essay on Disorder and Order”, p.3, Univ of California Press

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• It is good to live in a country where all are immigrants ... the newcomer is simply the latest arrival.

  Rudolf Arnheim

  Country, Newcomers, Immigrants

  Rudolf Arnheim (1990). “Parables of Sun Light: Observations on Psychology, the Arts, and the Rest”, p.165, Univ of California Press

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• The more perfect our means of direct experience, the more easily we are caught by the dangerous illusion that perceiving is tantamount to knowing and understanding.

  Rudolf Arnheim

  Mean, Knowing, Perfect

  Rudolf Arnheim (1957). “Film as Art”, p.195, Univ of California Press

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