It is essential to the triumph of reform that it should never succeed.
The vain man makes a merit of misfortune, and triumphs in his disgrace.
Men of gravity are intellectual stammerers, whose thoughts move slowly.
This is the test and triumph of originality, not to show us what has never been, and what we may therefore very easily never have dreamt of, but to point out to us what is before our eyes and under our feet, though we have had no suspicion of its existence, for want of sufficient strength of intuition, of determined grasp of mind to seize and retain it.
Dr. Johnson was a lazy learned man who liked to think and talk better than to read or write; who, however, wrote much and well, but too often by rote.
I am proud up to the point of equality; everything above or below that appears to me arrant impertinence or abject meanness.
Death cancels everything but truth; and strips a man of everything but genius and virtue. It is a sort of natural canonization.
As we are poetical in our natures, so we delight in fable.
Wonder at the first sight of works of art may be the effect of ignorance and novelty; but real admiration and permanent delight in them are the growth of taste and knowledge.
There is nothing so remote from vanity as true genius. It is almost as natural for those who are endowed with the highest powers of the human mind to produce the miracles of art, as for other men to breathe or move. Correggio, who is said to have produced some of his divinest works almost without having seen a picture, probably did not know that he had done anything extraordinary.
Pure good soon grows insipid, wants variety and spirit. Pain is a bittersweet, which never surfeits. Love turns, with a little indulgence, to indifference or disgust. Hatred alone is immortal.
Envy is a littleness of soul, which cannot see beyond a certain point, and if it does not occupy the whole space feels itself excluded.
Within my heart is lurking suspicion, and base fear, and shame and hate; but above all, tyrannous love sits throned, crowned with her graces, silent and in tears.
First impressions are often the truest, as we find (not unfrequently) to our cost when we have been wheedled out of them by plausible professions or actions. A man's look is the work of years, it is stamped on his countenance by the events of his whole life, nay, more, by the hand of nature, and it is not to be got rid of easily.
By despising all that has preceded us, we teach others to despise ourselves.
The most fluent talkers or most plausible reasoners are not always the justest thinkers.
When one can do better than everyone else in the same walk, one does not make any very painful exertions to outdo oneself. The progress of improvement ceases nearly at the point where competition ends.
I do not think that what is called Love at first sight is so great an absurdity as it is sometimes imagined to be. We generally make up our minds beforehand to the sort of person we should like, grave or gay, black, brown, or fair; with golden tresses or raven locks; - and when we meet with a complete example of the qualities we admire, the bargain is soon struck.
We are not hypocrites in our sleep.
Wherever the Government does not emanate...from the people, the principle of the Government, the esprit de corps, the point of honour, in all those connected with it, and raised by it to privileges above the law and above humanity, will be hatred to the people.
Those who object to wit are envious of it.
Those who make their dress a principal part of themselves, will, in general, become of no more value than their dress.
The characteristic of Chaucer is intensity: of Spencer, remoteness: of Milton elevation and of Shakespeare everything.
We are cold to others only when we are dull in ourselves.
The poetical impression of any object is that uneasy, exquisite sense of beauty or power that cannot be contained within itself; that is impatient of all limit; that (as flame bends to flame) strives to link itself to some other image of kindred beauty or grandeur; to enshrine itself, as it were, in the highest forms of fancy, and to relieve the aching sense of pleasure by expressing it in the boldest manner.
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