Latest Robert Longo Quotes from Interviews

• I find that all these subjects that I'm dealing with tend to lead me to religion and politics one way or another. It's not something that I necessarily want to address, but it seems like it's screaming at me to pay attention to it.

  Robert Longo

  Attention, Addresses, Want

  Interview with Keanu Reeves, www.interviewmagazine.com. April 4, 2014.

• I think the pursuit of trying to understand things is really a critical issue. I see the issue of life and death in everything I do. I'm trying to find answers. It can be quite frustrating.

  Robert Longo

  Thinking, Issues, Life And Death

  Source: www.interviewmagazine.com

• The thing that's interesting as you get older as an artist is that the biggest challenge seems to be: how do you stay relevant?

  Robert Longo

  Artist, Interesting, Challenges

  Interview with Keanu Reeves, www.interviewmagazine.com. April 4, 2014.

• Art is a form of understanding like philosophy and science and mathematics are an understanding but the difference is that art has the capacity to hold all these different things. It is the form of understanding that is best suited for the contemporary time.

  Robert Longo

  Art, Philosophy, Differences

  Interview with Keanu Reeves, www.interviewmagazine.com. April 4, 2014.

• I do have great respect for painting, but I am definitely not a painter. I make drawings of paintings, and I'm jealous of painting for sure, but, for me, the paper gives my work a limit.

  Robert Longo

  Jealous, Drawing, Giving

  Source: www.interviewmagazine.com

• It's been like therapy to be able to play music and not embarrass my children too much. They've come to a bunch of the shows. It's kind of cool. I'm glad they like it.

  Robert Longo

  Children, Play, Able

  Interview with Keanu Reeves, www.interviewmagazine.com. April 4, 2014.

• As an artist - I'm sure like most creative people - you have a kind of board of directors that you make your work for. It's a group of people that you have, these friends, and you want to know what they think. In a weird way, you're making the work for them.

  Robert Longo

  Thinking, Artist, People

  Source: www.interviewmagazine.com

• You make the work for yourself first and the next line is the people you trust, and you know that they're going to tell you what they feel. They let you know if you're dishing bullshit or if it's real.

  Robert Longo

  Real, Bullshit, People

  Interview with Keanu Reeves, www.interviewmagazine.com. April 4, 2014.

• An artist can have an intention, but the viewer has their own subjective experience.

  Robert Longo

  Artist, Intention, Viewers

  Source: www.interviewmagazine.com

• I can't come up with the titles. My wife hates my titles. She doesn't even want to know about them.

  Robert Longo

  Hate, Wife, Want

  Source: www.interviewmagazine.com

• Modern abstract art starts in Russia in about 1915 with Malevich, and then the Russian Revolution happens, and eventually all that experimental art gets squashed and social realism comes back into play. All of a sudden, Malevich is no longer painting black squares; he's painting peasants in colorful schmattas.

  Robert Longo

  Art, Play, Squares

  Interview with Keanu Reeves, www.interviewmagazine.com. April 4, 2014.

• If you're fortunate enough with your history, like with Men in the Cities, your work becomes so absorbed in culture that the authorship of it doesn't exist anymore.

  Robert Longo

  Men, Cities, Culture

  Interview with Keanu Reeves, www.interviewmagazine.com. April 4, 2014.

• I made a body of work, which was like trying to make movies on a wall and was made up of all different images and materials. I had the aspiration to make movies because I thought that was the cycle. I had this insane egomaniac idea that I could make movies because I made these gigantic art projects.

  Robert Longo

  Art, Wall, Ideas

  Source: www.interviewmagazine.com

• I started realizing I have enough history that some of it has been forgotten.

  Robert Longo

  Realizing, Forgotten, Enough

  Interview with Keanu Reeves, www.interviewmagazine.com. April 4, 2014.

• The ebb and flow as an artist is a bizarre experience, for sure. I was lucky enough to become successful pretty young - in late '79, 1980 - with a body of work that got recognized and became an archetype.

  Robert Longo

  Successful, Artist, Ebb And Flow

  Interview with Keanu Reeves, www.interviewmagazine.com. April 4, 2014.

• When I look back on everything I've done, it all somehow makes sense to me. But it doesn't make sense when you're actually doing it.

  Robert Longo

  Looks, Done, Make Sense

  Interview with Keanu Reeves, www.interviewmagazine.com. April 4, 2014.

• I'm trying to find answers. It can be quite frustrating, but at the same time, I'm never quite satisfied with what I'm doing, so I'm always looking for the next thing.

  Robert Longo

  Trying, Next, Answers

  Interview with Keanu Reeves, www.interviewmagazine.com. April 4, 2014.

• The great thing about doing a show in New York is that you can work until the night before.

  Robert Longo

  New York, Night, Great Things

  Interview with Keanu Reeves, www.interviewmagazine.com. April 4, 2014.

• I've been dealing with epic images, and I realized all of a sudden that I grew up in the age of epics.

  Robert Longo

  Epic, Age, Grew

  Source: www.interviewmagazine.com

• My degree was in sculpture. I always think that drawing is a sculptural process. I always feel like I'm carving the image out rather than painting the image. I'm carving it out with erasers and tools like that. I've always had this fondness for sculpture.

  Robert Longo

  Thinking, Drawing, Degrees

  Interview with Keanu Reeves, www.interviewmagazine.com. April 4, 2014.

• And I'm sort of deconstructing the process of what marks came first, what came later. Every aspect of the image is interesting to me to dissect and understand.

  Robert Longo

  Interesting, Firsts, Mark

  Source: www.interviewmagazine.com

• It's weird making a drawing of painting. I start to realize that charcoal is this incredibly fragile material. I'm making images of paintings out of dust.

  Robert Longo

  Drawing, Dust, Painting

  Interview with Keanu Reeves, www.interviewmagazine.com. April 4, 2014.

• One of the interesting things I discovered is that in the late 19th century, painters actually had black-and-white copies made of their own paintings. They chose it even over photographs because they knew the photographic medium would distort their work.

  Robert Longo

  Black And White, Interesting, Painting

  Interview with Keanu Reeves, www.interviewmagazine.com. April 4, 2014.

• The translation process becomes a highly subjective thing - turning reds and blues into black-and-whiteness. It's really bizarre for me.

  Robert Longo

  Black, Bizarre, Process

  Source: www.interviewmagazine.com

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