The real change that paintings undergo is in the perceptions of the viewer.
I want art to affect the viewer and for the viewer to take it away to enhance, embrace, and elevate life. That's the spiritual aspect. Painting is a spiritual practice, but sometimes it is hard to give up control!
The best images are the ones that retain their strength and impact over the years, regardless of the number of times they are viewed.
Not everything in life can or should be explained. Part of every painting should be incomplete...to be completed in the mind of the viewer.
Every meaning is a projection of the viewer's inarticulate moods.
Postmodernism shifts the basis of the work of art from the object to the transaction between the spectator and the object and further deconstructs this by negating the presence of a representative objective viewer.
I always say that photography's closest cousin is poetry because of the way it sparks your imagination and leaves gaps for the viewer to fill in.
My goal is to make the viewer a little bit smarter.
On the contrary, my desire is that the viewer sees the background coming forward in the lower portion of the canvas, fighting for space, demanding presence.
If I were making paintings of a bowl of fruit it would still be viewed through some sort of political lens, because the viewer wants to create a type of narrative around the political theme when they look at work depicting black and brown models.
I believe you shouldn't force the audience's interpretation of a character or a story. The more you explain things, the less intriguing and imaginable they are for viewers. . . . Film to me, in its essence, in its ultimate nature, is silent. Music and dialogue are there to fill what is lacking in the image. But you should be able to tell the story with moving pictures alone. For my next project, though, I'd like to make the kind of film where the characters blabber all the time.
I believe our editorial decisions reflected our constant desire to make sure that we fully cover and analyze any issue and give our viewers all the information they need.
Well, first of all, let me say that - let me remind your viewers that I am recused from this investigation, and what I said this weekend is not anything new.
And what is the Republican solution to these outrageous [racial] inequalities? There isn't one. And that's the point. Denying racism is the new racism. To not acknowledge those statistics, to think of that as a 'black problem' and not an American problem. To believe, as a majority of FOX viewers do, that reverse-racism is a bigger problem than racism, that's racist.
I want viewers to relate to me on a different level, not just a sexual level.
I am like the perfect horror movie viewer because I do not get scared very easily.
I think when your image becomes so big that it's hard for a viewer to see a character, then I think you're in danger as an actor of being unable to perform what you should be doing.
The written tone and the spoken tone change and the reporters' disbelief in the veracity of the government spreads to the readers and the viewers.
I think "Heroes of Cosplay" will show a lot of the positive things, like how much effort it takes to make a costume. These people on the show aren't taking shortcuts. As long as that effort gets through to the viewers, we will be inspirational. Then there will be people who watch the show that want to get in and hands-on make outfits.
The viewer brings all additional information to the image.
In animation and comics, the viewer breezes past the drawings. But with picture books, each page is going to be stared at and touched and read over and over. Maybe even chewed on a little. Everything needs to be thoughtful and economical, thirty-two little masterpieces.
I don't know if you've ever seen this film called Elite Squad, which, actually Wagner [Moura] is the one narrating that. José Padilha, one of creators of our show, that's where the style comes from. It has a heavy narrator. But I thought about it a lot. You [the viewers] have to work for the show, unless you're bilingual. It's a really aggressive type of filming, it's engaging, you've got to read.
Unbreakable Productions (my company) provides fun, uplifting and inspirational content (and products soon!) on a regular basis to help viewers discover their inner strength, utilize the power of inner-inertia, and remain Unbreakable through life's challenges.
As a viewer I came of age during a time when cast members were prone to fistfights. So I may be carrying a little of that kind of image in my head.
I can definitely tell you what viewers can expect from Season 2 [of 'Zoo']. It picks up right where Season 1 left off - the gang facing this wall of animals charging at a car. And so, it'll be satisfying in that way. The cliffhanger in Season 1 just kind of went to black screen. It picks up right where that left off. And from there on, the stakes just continue to rise in the season, and I think it's really adrenaline-filled.
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