Viewers Quotes

• The real change that paintings undergo is in the perceptions of the viewer.

  Arthur Smith

  Real, Perception, Painting

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• The best images are the ones that retain their strength and impact over the years, regardless of the number of times they are viewed.

  Anne Geddes

  Strength, Photography, Impact

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• My botanical documents should contribute to restoring the link with nature. They should reawaken a sense of nature, point to its teeming richness of form, and prompt the viewer to observe for himself the surrounding plant world.

  Karl Blossfeldt

  World, Links, Plant

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• The key thing was to learn the value of economy with words and to never insult the viewer by telling them what they can already see.

  Richie Benaud

  Keys, Insult, Economy

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• In England "The Day After," though unpopular with viewers, seems to have confirmed the average Englishman's mindless prejudice against Kansas. Shortly after the film portrayed that state being turned into an overused barbecue pit by nuclear weapons, support for British nuclear weapons rose a full percentage point.

  Emmett Tyrrell

  Average, Kansas, Rose

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• Most conservative and progressive talk radio is primarily just that - bloviated opinion and whacky viewer calls.

  David Shuster

  Radio, Conservative, Opinion

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• It's interesting because I don't ever want to ask a better question than I can answer, if that makes sense. I find that frustrating as a viewer. Compelling questions, while not easy, are easier than compelling answers.

  Shane Carruth

  Interesting, Answers, Want

  "Shane Carruth Explains Why ‘Upstream Color’ Isn’t So Difficult to Understand and Talks About His Next Project". Interview with Eric Kohn, www.indiewire.com. April 3, 2013.

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• When a sudden ray of sun or a moonbeam falls on a dreary street, it makes no difference what it illumines-a broken bottle on the ground, a fading flower in a field, or the flaxen blonde hair of a child's head. The object is transformed and the viewer is transfixed. Celebrate that moment of beauty and take it with you in your memory. It is God's gift to you.

  Luci Swindoll

  Beauty, Children, Memories

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• Photographs need to demand the viewer's attention, often implicitly, posing questions as to the nature of what is being depicted. Photographs are not there to show us the world, but to show us a version of what may be happening.

  Fred Ritchin

  Needs, Attention, World

  Source: www.motherjones.com

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• Definitely. Cate Blanchett or Meryl Streep, Julianne Moore - women that have no boundaries, no borders. They can do anything, They can be any character and you accept it and go with it as a viewer, and as an audience member. That's the kind of career that I'm looking for.

  Jessica Biel

  Character, Careers, Borders

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• At the heart of any successful film is a powerful story. And a story should be just that: a narrative with a beginning, middle, and end, powerful protagonists that audiences can identify with, and a dramatic arc that is able to capture and hold viewers' intellectual and emotional attention.

  Julia Bacha

  Powerful, Heart, Successful

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• I'm always careful about the thing I'm writing to make sure a viewer can imagine it happening to themselves.

  Asghar Farhadi

  Writing, Imagine, Careful

  "Interview: Academy Award-winning director Asghar Farhadi on his film ‘The Past’". Interview by Carlos Aguilar, www.indiewire.com. December 17, 2013.

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• I always feel that a viewer has an expectation about every moment of the film and where it's going, so if I act against that, I've created a twist. In fact it becomes a kind of game with the expectations of the viewer. This is the superficial appearance. In the layer beneath there is a hidden theme. The result of each twist is that the judgment of the audience member is challenged.

  Asghar Farhadi

  Games, Expectations, Facts

  "Interview: Academy Award-winning director Asghar Farhadi on his film ‘The Past’". Interview by Carlos Aguilar, www.indiewire.com. December 17, 2013.

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• The internet creates chaos and a dangerous kind of piracy but makes the viewer much more active and gives the voice to minority players.

  Agnieszka Holland

  Player, Voice, Giving

  Source: blogs.indiewire.com

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• In an old model, the way a film would imprint itself on the public's consciousness is to get a theatrical run. But now there are more documentaries and more films in general being released than ever before. There are weeks when the New York Times is reviewing 15 films, so it's harder to leave an impression on the public. A lot of these films are seeing their financial future on digital platforms. Because viewers aren't hearing as much about films in theatrical release, I think the festival circuit is going to have increasing importance for the life of a film.

  Thom Powers

  Running, New York, Thinking

  Source: blogs.indiewire.com

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• Self-painting is a further development of painting. The pictorial surface has lost its function as sole expressive support. It was led back to its origins, the wall, the object, the living being, the human body. By incorporating my body as expressive support, occurrences arise as a result, the course of which the camera records and the viewer can experience

  Gunter Brus

  Wall, Self, Support

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• Films that are entertainments give simple answers but I think that's ultimately more cynical, as it denies the viewer room to think. If there are more answers at the end, then surely it is a richer experience.

  Michael Haneke

  Thinking, Simple, Giving

  "Biography/Personal Quotes". www.imdb.com.

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• Images are altered in many ways, to many degrees, and for many reasons, so it's important for viewers to be informed of both.

  John Paul Caponigro

  Important, Degrees, Way

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• I don't have to have a single point of emphasis in the picture. It can be complex, because it's so detailed that the viewer can take time and read it, and look at something here, and look at something there, and they can pay attention to a lot more.

  Stephen Shore

  Looks, Attention, Pay

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• Humans have changed the landscape so much, but images of the sea could be shared with primordial people. I just project my imagination on to the viewer, even the first human being. I think first and then imagine some scenes. Then I go out and look for them. Or I re-create these images with my camera. I love photography because photography is the most believable medium. Painting can lie, but photography never lies: that is what people used to believe.

  Hiroshi Sugimoto

  Photography, Lying, Believe

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• I have been using the art of photography to research the ways in which the pictorial strategies of the Nineteenth Century color the way in which the American landscape is apprehended by today's viewers.

  John Pfahl

  Photography, Art, Color

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• Even if I get into television and movies, I'm never going to quit YouTube because of the bond I have with my viewers.

  Shane Dawson

  Television, Quitting, Youtube

  Source: uwire.com

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• I don't get a sense that Cheers is revered the way it should be by [younger viewers]. In my mind, it's a show that should always, always, always be in the pantheon. But can it ever mean to future generations what it meant to us?

  Ted Danson

  Cheer, Mean, Mind

  "The Best TV Show That's Ever Been". Interview with Brian Raftery, www.gq.com. September 27, 2012.

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• One of the secrets of being a great photographic model, as it is for a great film actor, is that you let the camera in. It's an intimacy that the model or actor creates with the lens, that then transmits itself to the viewer.

  Mary Harron

  Secret, Cameras, Lenses

  "Interview: The Bettie Page Story". Interview with Susie Bright, www.huffingtonpost.com. December 6, 2017.

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• Regardless of how often the appetite for entertainment violence becomes addictive, increased exposure does risk further desensitizing viewers. And the element of pleasure that they derive may lead them to regard violence as a more acceptable way of dealing with problems, and victimization as more tolerable so long as it befalls others, not themselves.

  Sissela Bok

  Long, Risk, Doe

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