As a viewer, the minute I start getting confused, I check out of the movie. Emotionally, I'm severed.
For the broadcast business to be successful, viewers need to be not merely interested in our political melodramas, they have to be in an absolute state about them - emotionally invested in the outcome and frightened not to watch what happens next.
I want to break into the acting industry. It's something I have a great deal of respect for; it's a passion of mine. It's so amazing, the differences between acting and being an athlete, but the one commonality is they both evoke emotion in the viewer. And those emotions are real. So I think that's pretty cool.
All we do is bring the debate from both sides, and let you as a viewer decide where you want to end up on the issue. That's very important. That's exactly what happens in 'Redemption Inc.'
Prison Break is so far-fetched, I had to make viewers believe that Michael is capable of making the impossible possible.
At its best, film should be like a ski jump. It should give the viewer the option of taking flight, while the act of jumping is left up to him.
I’ve been accused of ‘raping’ the audience in my films, and I admit to that freely — all movies assault the viewer in one way or another.
I think viewers quite like it when I'm suffering or eating or drinking something horrible or really up against it in some quicksand or whatever.
Most original viewers of the Mickey Mouse Club didn't face the crush of family and social problems children have today.
When I'm on television, I think that I appeal to the everyday guy, 'cause that's who I am. The guys who go to the football games on the weekends are my viewers, for sure.
On television and in the movies, crimes are always solved. Nothing is left uncertain. By the end, the viewer knows whodunit. In real life, on the other hand, many murders remain unsolved, and even some that are "solved" to the satisfaction of the police and prosecutors lack sufficient evidence to result in a conviction.
Viewers can determine what they want to watch and what they don't want to watch.
I've never bought a Dylan record. A singing poet? It just bores me to tears. I've got to tell you, if I had 10 Dylans in the final of 'American Idol,' we would not be getting 30 million viewers a week. I don't believe the Bob Dylans of this world would make 'American Idol 'a better show.
The fear for a network is the viewer gets tired of you. Not that you lost any credibility, but they get tired of you.
I am proud to be a role model for my viewers. I am finding out that helping victims is as or more rewarding the all the awards I win.
If we have no respect for our viewers, then how can we have any respect for ourselves and what we do?
I'm a comedian, for God's sake. Viewers shouldn't trust me. And you know what? They're hip enough to know they shouldn't trust me. I'm just doing stand-up comedy.
'The Brady Bunch' asks nothing of you as a viewer. Sometimes is just what the doctor ordered.
Every viewer is going to get a different thing. That's the thing about painting, photography, cinema.
You have to let the viewers come away with their own conclusions. If you dictate what they should think, you've lost it.
A woman doing comedy doesn't offend me, but sets me back a bit. I, as a viewer, have trouble with it. I think of her as a producing machine that brings babies in the world.
Maybe I'm old-fashioned, but I think viewers are hungry for shows in which people say something meaningful.
Whenever you finish an artwork and the viewer comes and views it, at that moment you've given up control.
It's weird because when you initially write a song, you write it with no understanding that the world is maybe going to hear it one day. So when you go into the studio, you don't see the hundreds of people at a gig or the viewers on TV, you just write a song without any inhibitions or boundaries.
If there was a blog with five listeners or viewers, I had to be on it. Now I have to be on fewer media, but more substantive media.
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