Paul Auster Quotes About Film

Quotes about: Film

• Escaping into a film is not like escaping into a book. Books force you to give something back to them, to exercise your intelligence and imagination, where as you can watch a film-and even enjoy it-in a state of mindless passivity.

  Paul Auster

  Book, Exercise, Escaping

  Paul Auster (2016). “Collected Novels Volume Four”, p.102, Faber & Faber

• You see, the interesting thing about books, as opposed, say, to films, is that it's always just one person encountering the book, it's not an audience, it's one to one.

  Paul Auster

  Book, Interesting, Film

• Films and television and even comic books are churning out vast quantities of fictional narratives, and the public continues to swallow them up with great passion. That is because human beings need stories.

  Paul Auster

  Book, Passion, Film And Television

  Paul Auster (2010). “Collected Prose: Autobiographical Writings, True Stories, Critical Essays, Prefaces, Collaborations with Artists, and Interviews”, p.460, Macmillan

• To tell you the truth, I'm not unhappy about it. I'm not even sure that I like the idea of adapting novels into films. It's very difficult to do, and it usually doesn't work. There are exceptions, but generally speaking, one feels disappointed with the result.

  Paul Auster

  Ideas, Unhappy, Film

• I know the pleasure you get from making your films. The intense involvement in every aspect: the acting, the camera, the colors, the costumes, even the hair and makeup. Editing is thrilling. Everything to do with films is absorbing - everything but the money part, the business. But I'm deeply glad I've had that experience.

  Paul Auster

  Makeup, Acting, Film

  Source: www.interviewmagazine.com

• I don't think that you can be prescriptive about anything, I mean, life is too complicated. Maybe there are novels where the author has not in the least thought about it in terms of film, which can be turned into good films.

  Paul Auster

  Mean, Thinking, Life Is

• Often it's true that films just go right through us. You see the film, you might be entertained, and if it's not a great film, it loses its power very quickly. I think even simply acceptable books stay with us a lot longer.

  Paul Auster

  Book, Thinking, Might

  Interview with Gregg LaGambina, www.avclub.com. September 6, 2008.

• Having made films, I know very well that the scope of the average 90- to 120-minute movie is about the same narrative heft as a long short story or a novella.

  Paul Auster

  Average, Long, Stories

  Interview with Gregg LaGambina, www.avclub.com. September 6, 2008.

• Everyone reads a different book. That's what's interesting. Everyone sees a different film, as well. We bring our past lives to whatever work of art we're experiencing at that moment, and that's what makes it interesting. It's not mathematics. There are different answers for different people.

  Paul Auster

  Art, Book, Past

  Interview with Gregg LaGambina, www.avclub.com. September 6, 2008.

• I was extremely shy. And I simply didn't know how to go about it. It seemed a lot easier to write than to make films. All I needed was a pencil and a piece of paper, whereas filmmaking was something I had no access to.

  Paul Auster

  Writing, Paper, Shy

• Actually, screenplays were much more detailed than what I did in the book In the book I had to invent a style for communicating what the sensation of looking at a film would be, whereas the screenplays I wrote in Paris were actual blueprints for how to do the film, with every gesture, every little movement noted in exhaustive detail.

  Paul Auster

  Book, Paris, Style

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