Stand up and take your dissonance like a man.
Beauty in music is too often confused with something that lets the ears lie back in an easy chair. Many sounds that we are used to do not bother us, and for that reason we are inclined to call them beautiful. Frequently, when a new or unfamiliar work is accepted as beautiful on its first hearing, its fundamental quality is one that tends to put the mind to sleep.
The future of music may not lie entirely in music itself, but rather in the way it encourages and extends, rather than limits the aspirations and ideals of the people, in the way it makes itself a part with the finer things that humanity does and dreams of.
Awards are merely the badges of mediocrity.
Please don't try to make things nice! All the wrong notes are right. Just copy as I have -- I want it that way.
The fabric of existence weaves itself whole.
I don't write music for sissy ears.
Everyone should have the opportunity of not being over-influenced.
Is not beauty in music too often confused with something which lets the ears lie back in an easy chair?
You cannot set art off in a corner and hope for it to have vitality, reality, and substance.
A song has a few rights the same as ordinary citizens... if it happens to feel like flying where humans cannot fly... to scale mountains that are not there, who shall stop it?
My God! What has sound got to do with music?
If a poet knows more about a horse than he does about heaven, he might better stick to the horse, and some day the horse may carry him into heaven.
Every great inspiration is but an experiment.
In some century to come, when the school children will whistle popular tunes in quarter-tones--when the diatonic scale will be as obsolete as the pentatonic is now--perhaps then these borderland experiences may be both easily expressed and readily recognized. But maybe music was not intended to satisfy the curious definiteness of man. Maybe it is better to hope that music may always be transcendental language in the most extravagant sense
It is more important to keep the horse going hard than to always play the exact notes.
Every great inspiration is but an experiment - though every experiment we know, is not a great inspiration.
The word 'beauty' is as easy to use as the word 'degenerate.' Both come in handy when one does or does not agree with you
An apparent confusion, if lived with long enough, may become orderly . . . A rare experience of a moment at daybreak, when something in nature seems to reveal all consciousness, cannot be explained at noon. Yet it is part of the day's unity
There can be nothing exclusive about substantial art. It comes directly out of the heart of the experience of life and thinking about life and living life.
If a composer has a nice wife and some nice children, how can he let the children starve on his dissonances?
But maybe music was not intended to satisfy the curious definiteness of man. Maybe it is better to hope that music may always be transcendental language in the most extravagant sense.
The possibilities of percussion sounds, I believe, have never been fully realized
Vagueness is at times an indication of nearness to a perfect truth.
If idioms are more to be born than to be selected, then the things of life and human nature that a man has grown up with--(not that one man's experience is better than another's, but that it is 'his.')--may give him something better in his substance and manner than an over-long period of superimposed idiomatic education which quite likely doesn't fit his constitution. My father used to say, 'If a poet knows more about a horse than he does about heaven, he might better stick to the horse, and some day the horse may carry him into heaven'
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