I've been used by women all my life, fortunately.
Being handsome wasn't much of a burden. It worked for me.
Girls are more attractive to me than dresses.
You adapt to who you're photographing.
I like change. There's something Buddhist about it - continuous change is wonderful.
The only thing approaching art in a movie is the script.
In France they don't think I'm difficult.
I don't see the point of photographing trees or rocks because they're there and anyone can photograph them if they're prepared to hang around and wait for the light.
I don't think global warming is to do with us, I think it's a natural circle. I don't think a few Ferraris make that much difference.
Rather than knowing more, I think I've got more open-minded.
My paintings are rubbish.
You have to kind of be invisible when you photograph children, so you use a longer lens.
I was surrounded by strong women so it had never even occurred to me that women were anything other than equal to men.
The Sixties was a time of breaking down class barriers, although I think class still exists today in some areas.
The skull is nature's sculpture.
I was ten when I got my first serious beating. It was rough.
I'm not really one for regrets.
When I die I want to go to Vogue.
I didn't know I was going to live for 50 years. It has come as a shock.
All I could do at school was paint and draw and that was the only time I ever passed any exam. It was the only thing I ever got right at school.
My first influence obviously was Picasso.
I love learning new techniques.
I don't feel very optimistic in London.
London changes because of money. It's real estate. If they can build some offices or expensive apartments they will, it's money that changes everything in a city.
I don't think my work does reflect my nationality - I don't like the idea of nationalism.
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