The idea of space is given to the artist to change if he can. The subject matter in the abstract is space.
I think I'm painting a picture of two women but it may turn out to be a landscape.
The 'Women' had to do with the female painted through all ages, all those idols, and maybe I was stuck to a certain extent; I couldn't go on. It did one thing for me: it eliminated composition, arrangement, relationships, light - all this silly talk about line, colour and form - because that was the thing I wanted to get hold of.
If you're an artist, the problem is to make a picture work whether you are happy or not.
Maybe in that earlier phase I was painting the woman in me. Art isn't a wholly masculine occupation, you know.
In art, one idea is as good as another. If one takes the idea of trembling, for instance, all of a sudden most art starts to tremble. Michelangelo starts to tremble. El Greco starts to tremble. All the Impressionists start to tremble.
An artist is forced by others to paint out of his own free will.
I see the canvas and I begin... It's a necessary evil to get into the work, and it's pretty marvelous to be able to get out of it.
The word 'abstract' comes from the light tower of the philosophers. One of their spotlights that they have particularly focused on 'Art'. [Abstraction was] not so much what you could paint but rather what you could not paint. You could not paint a house or a tree or a mountain. It was then that subject matter came into existence as something you ought not have.
It's really absurd to make... a human image, with paint, today, when you think about it... But then all of a sudden, it was even more absurd not to do it.
Even an abstract form has to have a likeness.
Whatever an artist's personal feelings are, as soon as an artist fills a certain area on the canvas or circumscribes it, he becomes historical. He acts from or upon other artists.
If you pick up some paint with your brush and make somebody's nose with it, this is rather ridiculous when you think of it, theoretically or philosophically. It's really absurd to make an image, like a human image, with paint, today.
In art one idea is as good as another.
An artist is someone who makes art... He didn't invent it.
Art never seems to make me peaceful or pure.
Spiritually I am wherever my spirit allows me to be, and that is not necessarily in the future... Art never seems to make me peaceful or pure.
My interest in desperation lies only in that sometimes I find myself having become desperate. Very seldom do I start out that way. I can see of course that, in the abstract, thinking and all activity is rather desperate.
Im not someone whos ever said anything definitive about his work. In my life also I have very little fixed form. I can change overnight.
I feel sometimes an American artist must feel, like a baseball player or something - a member of a team writing American history.
Art should not have to be a certain way.
The problem with property is that it takes so much of your time.
The point they (Lissitzky, Rodchenko, Tatlin, Gabo, the neo-Plasticists, and so on) all had in common was to be inside and outside at the same time. For me, to be inside and outside is to be in an unheated studio with broken windows in the winter, or taking a nap on somebody's porch in the summer.
Once, after finishing a picture, I thought I would stop for awhile, take a trip, do things-the next time I thought of this, I found five years had gone by.
When, about fifteen years ago, I walked into Arshile's studio for the first time, the atmosphere was so beautiful that I got a little dizzy and when I came to, I was bright enough to take the hint immediately. If the bookkeepers think it necessary to make sure of where things and people came from, well then, I came from 36 Union Square. I am glad that it is about impossible to get away from his powerful influence.
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