Annie Leibovitz Quotes - Page 2

Quotes about:

• In a portrait, you have room to have a point of view. The image may not be literally what's going on, but it's representative.

  Annie Leibovitz

  Views, Portraits, May

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• When I take a picture I take 10 percent of what I see.

  Annie Leibovitz

  Photographer, Percent

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• As a young person, and I know it’s hard to believe that I was shy, but you could take your camera, and it would take you to places: it was like having a friend, like having someone to go out with and look at the world. I would do things with a camera I wouldn’t do normally if I was just by myself.

  Annie Leibovitz

  Believe, Cameras, Shy

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• When I'm asked about my work, I try to explain that there is no mystery involved. It is work. But things happen all the time that are unexpected, uncontrolled, unexplainable, even magical. The work prepares you for that moment. Suddenly the clouds roll in and the soft light you longed for appears.

  Annie Leibovitz

  Clouds, Light, Trying

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• I’ve said about a million times that the best thing a young photographer can do is to stay close to home. Start with your friends and family, the people who will put up with you. Discover what it means to be close to your work, to be intimate with a subject. Measure the difference between that and working with someone you don't know as much about. Of course there are many good photographs that have nothing to do with staying close to home, and I guess what I'm really saying is that you should take pictures of something that has meaning for you

  Annie Leibovitz

  Home, Mean, Differences

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• People buy ideas, they don't buy photographs.

  Annie Leibovitz

  Photography, Ideas, People

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• When you involve people, they come out, you see them, you get to see their sense of humor.

  Annie Leibovitz

  People, Sense Of Humor

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• It's hard to watch something go on and be talking at the same time.

  Annie Leibovitz

  Artist, Talking, Watches

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• As you get older, you have different tools, and you learn to use photography differently.

  Annie Leibovitz

  Photography, Different, Tools

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• I don't think there is anything wrong with white space. I don't think it's a problem to have a blank wall.

  Annie Leibovitz

  Wall, Thinking, White

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• I fight to take a good photograph every single time.

  Annie Leibovitz

  Fighting, Photograph

  "Annie Leibovitz: The Visionary" by Melissa Whitworth, www.glamour.com. October 31, 2012.

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• A photograph is just a little, teeny-weeny, small piece of life. I feel like I see so much more than what I can actually get.

  Annie Leibovitz

  Photography, Pieces, Littles

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• If it makes you cry, it goes in the show.

  Annie Leibovitz

  Artist, Photographer, Cry

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• The subjects felt more comfortable if they played the role than if they had to be themselves.

  Annie Leibovitz

  Roles, Subjects, Felt

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• I am impressed with what happens when someone stays in the same place and you took the same picture over and over and it would be different, every single frame.

  Annie Leibovitz

  Artist, Different, Would Be

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• What I learned from Lennon was something that did stay with me my whole career, which is to be very straightforward. I actually love talking about taking pictures, and I think that helps everyone.

  Annie Leibovitz

  Artist, Thinking, Talking

  "Annie Leibovitz Puts Down Camera, Talks". Interview with Dave Weich, emerald.tufts.edu. November 23, 1999.

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• I was scared to do anything in the studio because it felt so claustrophobic. I wanted to be somewhere where things could happen and the subject wasn't just looking back at you.

  Annie Leibovitz

  Artist, Scared, Wanted

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• When you are younger, the camera is like a friend and you can go places and feel like you're with someone, like you have a companion.

  Annie Leibovitz

  Artist, Cameras, Photographer

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• ...I gave up on being a journalist - I thought having a point of view was more important than being objective.

  Annie Leibovitz

  Views, Important, Point Of View

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• When you are on assignment, film is the least expensive thing in a very practical sense. Your time, the person's time, turns out to be the most valuable thing.

  Annie Leibovitz

  Artist, Film, Assignments

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• I still need the camera because it is the only reason anyone is talking to me.

  Annie Leibovitz

  Artist, Talking, Cameras

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• I was out there with the White House press squad, and after his helicopter took off, and the carpet rolled up...This wasn't a photograph that others were taking, but I continued to take pictures.

  Annie Leibovitz

  Inspirational, Squad, White

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• There is a myth that the portrait photographer is supposed to make the subject relax, and that's the real person. But I'm interested in whatever is going on. And I'm not that comfortable myself.

  Annie Leibovitz

  Real, Relax, Portraits

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• The first thing I did with my very first camera was climb Mt. Fuji. Climbing Mt. Fuji is a lesson in determination and moderation. It would be fair to ask if I took the moderation part to heart. But it certainly was a lesson in respecting your camera. If I was going to live with this thing, I was going to have to think about what that meant. There were not going to be any pictures without it.

  Annie Leibovitz

  Determination, Heart, Thinking

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• When I started to be published I thought about Margaret Bourke-White and the whole journalistic approach to things. I believed I was supposed to catch life going by me - that I wasn't to alter it or tamper with it - that I was just to watch what was going on and report it as best I could. This shoot with John was different. I got involved, and I realized that you can't help but be touched by what goes on in front of you. I no longer believe that there is such a thing as objectivity.

  Annie Leibovitz

  Believe, Objectivity, White

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