Anne Morrow Lindbergh Quotes - Page 8

Quotes about:

• Beauty cannot disguise nor music melt A pain undiagnosable but felt.

  Anne Morrow Lindbergh

  Pain, Suffering, Disguise

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• Why do progress and beauty have to be so opposed?

  Anne Morrow Lindbergh

  Progress

  Anne Morrow Lindbergh (1973). “Hour of Gold, Hour of Lead”

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• What release to write so that one forgets oneself, forgets one's companion, forgets where one is or what one is going to do next to be drenched in sleep or in the sea. Pencils and pads and curling blue sheets alive with letters heap up on the desk.

  Anne Morrow Lindbergh

  Writing, Sleep, Blue

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• To be deeply in love is, of course, a great liberating force.

  Anne Morrow Lindbergh

  Love Is, Deeply In Love, Force

  Anne Morrow Lindbergh (1973). “Hour of Gold, Hour of Lead”

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• Woman can best refind herself by losing herself in some kind of creative activity of her own.

  Anne Morrow Lindbergh

  Creative, Losing, Kind

  Anne Morrow Lindbergh (2002). “Wisdom from Gift from the Sea”, p.30, Peter Pauper Press, Inc.

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• There comes a moment when the things one has written, even a traveler's memories, stand up and demand a justification. They require an explanation. They query, 'Who am I? What is my name? Why am I here?

  Anne Morrow Lindbergh

  Memories, Names, Demand

  ANNE MORROW LINDBERGH (1963). “NORTH TO THE ORIENT”

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• The wave of the future is coming and there is no fighting it.

  Anne Morrow Lindbergh

  Fighting, Wave

  Anne Morrow Lindbergh (1940). “The Wave of the Future a Confession of Faith”

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• ... once you get beyond the crust of the first pang it is all the same and you can easily bear it. It is just the transition from painlessness to pain that is so terrible.

  Anne Morrow Lindbergh

  Pain, Transition, Firsts

  ANNE MORROW LINDBERGH (1973). “BRING ME A UNICORN”

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• It is not restful, it is not possible to talk wholeheartedly to more than one person at a time. You can't really talk with a person unless you surrender to them, for the moment (all other talk is futile). You can't surrender to more than one person a moment.

  Anne Morrow Lindbergh

  Communication, Moments, Surrender

  Anne Morrow Lindbergh (1972). “Bring me a unicorn: diaries and letters of Anne Morrow Lindbergh, 1922-1928”, Houghton Mifflin Harcourt P

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• How inexplicable it seems. Anything else will be accepted as a better excuse. If one sets aside time for a business appointment, a trip to the hairdresser, a social engagement or a shopping expedition, that time is accepted as inviolable. But if one says: I cannot come because that is my hour to be alone, one is considered rude, egotistical or strange.

  Anne Morrow Lindbergh

  Shopping, Rude, Engagement

  Anne Morrow Lindbergh (1975). “GIFT FROM THE SEA”

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• My passport photo is one of the most remarkable photographs I have ever seen- no retouching, no shadows, no flattery-just stark me.

  Anne Morrow Lindbergh

  Photography, Women, Shadow

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• Can you write a book and have children at the same time? Yes, if you're content to do it very very slowly.

  Anne Morrow Lindbergh

  Children, Book, Writing

  Anne Morrow Lindbergh (1981). “War within and without: diaries and letters of Anne Morrow Lindbergh, 1939-1944”, Berkley

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• What a crippling art writing is, no body to it, no craft, really. It's all in the mind and you never see it or feel it -- only sometimes hear it. It uses only such a small part of man. I wish I were a sculptor.

  Anne Morrow Lindbergh

  Art, Writing, Men

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• I am beginning to respect the apathetic days. Perhaps they're a necessary pause: better to give in to them than to fight them at your desk hopelessly; then you lose both the day and your self-respect. Treat them as physical phenomena -- casually -- and obey them.

  Anne Morrow Lindbergh

  Fighting, Self, Giving

  Anne Morrow Lindbergh (1974). “Locked rooms and open doors”, Not Avail

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• Life is a gift, given in trust - like a child.

  Anne Morrow Lindbergh

  Life, Trust, Children

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• I think one must do the thing -- whatever it is (and it changes from time to time) -- that unites you to the flowing stream of the world. At any price, one must do it first. Otherwise one can do nothing, nothing at all. One is out of touch, out of grace.

  Anne Morrow Lindbergh

  Thinking, Grace, World

  Anne Morrow Lindbergh (1981). “War within and without: diaries and letters of Anne Morrow Lindbergh, 1939-1944”, Berkley

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• Certain environments, certain modes of life, and certain rules of conduct are more conducive to inner and outer harmony than others. There are, in fact, certain roads that one may follow. Simplification is one of them.

  Anne Morrow Lindbergh

  Simplicity, May, Facts

  Anne Morrow Lindbergh (2010). “Gift from the Sea”, p.16, Random House

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• People don't want to be understood - I mean not completely. It's too destructive. Then they haven't anything left. They don't want complete sympathy or complete understanding. They want to be treated carelessly and taken for granted lots of times.

  Anne Morrow Lindbergh

  Taken, Mean, People

  ANNE MORROW LINDBERGH (1973). “BRING ME A UNICORN”

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• For is it not possible that middle age can be looked upon as a period of second flowering, second growth, even a kind of second adolescence? It is true that society in general does not help one accept this interpretation of the second half of life.

  Anne Morrow Lindbergh

  Growth, Age, Doe

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• Fame is a kind of death because it arrests life around the person in the public eye. If one is recognized everywhere, one begins to feel like Medusa. People stop their normal life and actions and freeze into staring manikins. "We can never catch people or life unawares," as I wrote to my mother, in an outburst of frustration. "It is always looking at us."

  Anne Morrow Lindbergh

  Mother, Eye, Frustration

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• We must relearn to be alone.

  Anne Morrow Lindbergh

  Loneliness

  Anne Morrow Lindbergh (1975). “GIFT FROM THE SEA”

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• How hard it is to have the beautiful interdependence of marriage and yet be strong in oneself alone.

  Anne Morrow Lindbergh

  Beautiful, Strong, Interdependence

  Anne Morrow Lindbergh (1981). “War within and without: diaries and letters of Anne Morrow Lindbergh, 1939-1944”, Berkley

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• The bearing, rearing, feeding and educating of children; the running of a house with its thousand details; human relationships with their myriad pulls - women's normal occupations in general run counter to creative life, or contemplative life, or saintly life.

  Anne Morrow Lindbergh

  Running, Children, Contemplative Life

  Anne Morrow Lindbergh (2010). “Gift from the Sea”, p.21, Random House

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• I want to be pure in heart -- but I like to wear my purple dress.

  Anne Morrow Lindbergh

  Heart, Purple, Dresses

  Anne Morrow Lindbergh (2012). “Against Wind and Tide: Letters and Journals, 1947-1986”, p.36, Pantheon

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• Who is not afraid of pure space - that breathtaking empty space of an open door?

  Anne Morrow Lindbergh

  Doors, Space, Breathtaking

  Anne Morrow Lindbergh (2002). “Wisdom from Gift from the Sea”, p.79, Peter Pauper Press, Inc.

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