I'll miss it until the day I die, and I'm convinced to this day that I can get on a horse and jump a course of fences satisfactorily. It doesn't leave you.
I jumped horses over big dangerous fences in competition. And got very, very good at it, at quite a high level. And I realized long since that, yeah, it's the same thing that appeals to me about it. You can't think about anything else, in either case; jumping horses in competition, show jumping, or flying an airplane, for whatever purpose.
I work seven days a week and I work about 12 hours a day, from the beginning of September to about the end of May; the school year. I take two days off, Christmas and New Year's, Thanksgiving sometimes - two and a half. And the result is that I bonded myself to my desk.
Landing the airplane I think is the most difficult thing that I've every learned to do in my life.
I'd been on everybody else's show and there was always a preinterview. Somebody would come with a tape recorder and you'd talk for three or four hours, and they'd take it back and it would be transcribed, and it would be given to the writers, those many writers you see on all those shows, Larry King, Letterman, Leno, etc. And then they choose the answers that will be most evocative on their show.
Always accepting the greatest joy of all is the time that I get to spend with my wife.
I'd been on all the television programs as an actor, as a writer, as a director, as a producer.
I would say that writing, both the act of writing, and of course reading of other people's work is, for me, supreme joy.
The Pivot Questionnaire that I ask other people, when I have on rare occasion answered it, the answer to the question, "What turns you on?" Is words. Not mine, other people's. Words, words, words, that's what turns me on.
I love writing. I like reading, other people, not myself.
I may be writing well, I may be writing poorly, but I enjoy the act of writing and sometimes when it turns out okay, I feel an elation that is incomparable.
A good day's writing, when I turn off my computer after I know that I've written okay, or as well as I can write, that's a day well spent.
I must confess that when I'm alone in my study, here in New York, writing; that's when I'm happy.
I stopped writing at the age of 18. I had written incessantly before that. I read, of course, because I was in university, but I wasn't going to write. I wasn't going to do any of those dangerous things. I was going to be a stolid, bourgeois lawyer.
There are still actors who use emotional memory, affective memory, which was Lee Strasberg's emphasis, not his total emphasis. She taught everything at the Actor's Studio. But nevertheless, she felt that it impeded her.
When I went to school, my intention was to be a lawyer. When I attended university that was still the clear intention; I was going to be a lawyer. Why? Because it was as far as I could get from my father's antics and world. I thought that the world of the arts probably led people into the kind of behavior I had seen with him and that had resulted in a lot of hard times for my mother and me.
I became a professional actor in Detroit and I was able to earn some money. It was a good job because it permitted me to study. It fit perfectly with school.
I became an actor by accident, not by design.
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