I can't get used to the fact that I'm 68 years old. I still feel like a youngster. I am playing a part even older than 68 - 71 years old. It's kind of startling to see myself in a movie and realize, "Yup. That's exactly what I look like."
I'm as flighty as anybody. You put a lot out there. I've been through the process a lot. When I play a major role, it's my instinct to create a nice atmosphere. People in the major roles dominate the tone of an entire film. To my mind, it's much easier to work creatively when everyone's friendly.
I subscribe to the great George G. Scott quote, "All actors are in trouble. Directors who don't help are a pain in the ass". We all need help from directors. We are all equally insecure.
If we are ever going to save this society and the world, there has got to be a way for us to work together. That may be more than we can ever hope to achieve, just because of human nature.
The problem is that people are pulling farther apart, rather than make an effort to get back together. There have been remarkable moments that united this country. It makes everyone feel relieved. Then because of economic stress, political shifts, we get wrenched apart again. I think it's cyclical. I am an optimist by nature. There are moments, the period after 9/11, the way we responded. The election of Barack Obama. There are moments where the country felt good about being American. I'm waiting for that to happen again.
Any character you play, you're on his side. You do have the third eye that looks at what an appalling creature he is, but you have to look at what's good about him.
It's nice when you've done enough movies that you can do your own anthology.
I'm always being asked to play roles or characters that I don't really resemble.
Anyone who hears enough laughter and applause at a young age will become an actor, whether they intend to or not.
I went to Harvard and immediately fell into the theater gang, and I was already an experienced actor, so you go with the flow! I've already used the phrase "campus star."
I was very interested in being a painter. I had facility, I had talent, and I loved painting and printmaking, and I was quite serious about it.
I grew up in a theater family. My father was a regional theater classical repertory producer. He created Shakespeare festivals. He produced all of Shakespeare's plays, mostly in Shakespeare festivals in Ohio. One of them, the Great Lakes Theater Festival in Cleveland, is still going. So I grew up not wanting to be an actor, not wanting to go into the family business.
You have to overcome enormous self-consciousness, but nudity is about the strongest thing you can do in an acting performance. It's the most unsettling or the most comic or the most sexual.
I look for every opportunity to mix comedy and horror and tragedy. I love catching audiences off-guard.
I don't hesitate to do nudity as an actor if it's done well.
I certainly had my years as an out of work actor but I was married with a baby. My wife was supporting us.
I was married very young. I lived a very middle class life. I was married at age 21, divorced at 31. I didn't sleep on people's couches.
I went to Princeton High School, when I was very serious about being an artist. I was in a theatre family but I didn't want to become an actor.
I really prize and love great painting. It's so out of date now. It's slightly come back in.
I always tell that to young people - go to college, do theater, work with an audience. Don't try to learn how to act in front of millions and millions of people. Don't make that your first ambition, to be on a sitcom or get into the movies. Learn who you are as an actor, and the best way to do that is to do it in front of an audience.
I learned the most about myself, and you ask what I learned? Well, I learned my strengths and my weaknesses, and it's far more important to learn about your weaknesses than your strengths.
I got a wonderful college education. I went to Harvard. In those four years I accumulated a lot of knowledge but I also created a kind of habit of learning that has stayed with me my whole life.
One of the things that gives me a lot of pleasure about both the solo show and the book is that it tells people about my dad. He really was an important man. He was a kind of pioneer of regional theater. He was the first American producer to ever produce all of Shakespeare plays.
I think there are all sorts of ways of turning into an actor, and there are a vast variety of different actors. You know, you interview plenty of actors and you know they come at it from a different direction and acting means different things to a lot of people.
It's my theory that if you hear enough applause and laughter at a young enough age, you're doomed
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