I am tired, Beloved, of chafing my heart against the want of you; of squeezing it into little inkdrops, And posting it.
My words are little jars For you to take and put upon a shelf. Their shapes are quaint and beautiful, And they have many pleasant colours and lustres To recommend them. Also the scent from them fills the room With sweetness of flowers and crushed grasses.
Happiness, to some, is elation; to others it is mere stagnation.
My heart is tuned to sorrow, and the strings Vibrate most readily to minor chords, Searching and sad; my mind is stuffed with words Which voice the passion and the ache of things: Illusions beating with their baffled wings Against the walls of circumstance.
Now you are come! You tremble like a star Poised where, behind earth's rim, the sun has set. Your voice has sung across my heart, but numb And mute, I have no tones to answer.
Happiness, to some, elation; Is, to others, mere stagnation.
Even pain pricks to livelier living.
Life is a stream On which we strew Petal by petal the flower of our heart; The end lost in dream, They float past our view, We only watch their glad, early start. Freighted with hope, Crimsoned with joy, We scatter the leaves of our opening rose; Their widening scope, Their distant employ, We never shall know. And the stream as it flows Sweeps them away, Each one is gone Ever beyond into infinite ways. We alone stay While years hurry on, The flower fared forth, though its fragrance still stays.
Polyphonic prose is a kind of free verse, except that it is still freer. Polyphonic makes full use of cadence, rime, alliteration, assonance.
I must be mad, or very tired, When the curve of a blue bay beyond a railroad track Is shrill and sweet to me like the sudden springing of a tune, And the sight of a white church above thin trees in a city square Amazes my eyes as though it were the Parthenon.
Brighter than fireflies upon the Uji River are your words in the dark, Beloved.
I ask but one thing of you, only one, That always you will be my dream of you; That never shall I wake to find untrue All this I have believed and rested on, Forever vanished, like a vision gone Out into the night. Alas, how few There are who strike in us a chord we knew Existed, but so seldom heard its tone We tremble at the half-forgotten sound. The world is full of rude awakenings And heaven-born castles shattered to the ground, Yet still our human longing vainly clings To a belief in beauty through all wrongs. O stay your hand, and leave my heart its songs!
To understand Vers libre, one must abandon all desire to find in it the even rhythm of metrical feet. One must allow the lines to flow as they will when read aloud by an intelligent reader.
I shall go Up and down In my gown. Gorgeously arrayed, Boned and stayed.
Time! Joyless emblem of the greed of millions, robber of the best which earth can give.
Love is a game-yes? I think it is a drowning.
A man must be sacrificed now and again to provide for the next generation of men.
May is much sunshine through small leaves.
Witches are moon-birds, Witches are the women of the false, beautiful moon.
My! ain't men blinder'n moles?
When I go away from you The world beats dead Like a slackened drum.
Not a softness anywhere about me, Only whalebone and brocade.
Fifteen millions of soldiers with popguns and horses All bent upon killing, because their "of courses" Are not quite the same.
This is war: Boys flung into a breach Like shoveled earth; And old men, Broken, Driving rapidly before crowds of people In a glitter of silly decorations. Behind the boys And the old men, Life weeps, And shreds her garments To the blowing winds.
Underneath my stiffened gown Is the softness of a woman bathing in a marble basin, A basin in the midst of hedges grown So thick, she cannot see her lover hiding, But she guesses he is near, And the sliding of the water Seems the stroking of a dear Hand upon her.
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