The secret to film is that it's an illusion.
Learning to make films is very easy. Learning what to make films about is very hard.
The script is what you`ve dreamed up - this is what it should be. The film is what you end up with.
All of my films have been very hard to understand at the script stage because they're very different. At the time I did them they were not conventional. The executives could only think in terms of what they'd already seen. It's hard for them to think in terms of what has never been done before.
May the Force be with you.
I loved photography and everybody said it was a crazy thing to do because in those days nobody made it into the film business. I mean, unless you were related to somebody there was no way in.
The secret to the movie business, or any business, is to get a good education in a subject besides film - whether it's history, psychology, economics, or architecture - so you have something to make a movie about. All the skill in the world isn't going to help you unless you have something to say.
In my films, all the great things are put together. It's not like one kind of ice cream but rather a very big Sundae.
I've always tried to be aware of what I say in my films, because all of us who make motion pictures are teachers - teachers with very loud voices.
I was never interested in being powerful or famous. But once I got to film school and learned about movies, I just fell in love with it. I didn't care what kind of movies I made.
The first script was one of six original stories I had written in the form of two trilogies. After the success of Star Wars, I added another trilogy. So now there are nine stories. The original two trilogies were conceived of as six films of which the first film was number four.
When you are a beginning film maker you are desperate to survive. The most important thing in the end is survival and being able to get to your next picture.
One of the most telling things about film school is you've got a lot of students wandering around saying, "Oh, I wish I could make a movie. I wish I could make a movie."
It took me three, four years, to get from my first film to my second film, banging on doors, trying to get people to give me a chance. Writing, struggling, with no money in the bank, working as an editor on the side. Working as a cameraman on the side. Getting little jobs, eking out a living. Trying to stay alive, and pushing a script that nobody wanted.
I think that Lethal Weapon-style dialogue is overused, it's a necessary aspect of high action films where you have to have the smart retort. You have to say "I'll be back baby" and stuff. It's not my style.
None of the films I've done was designed for a mass audience, except for 'Indiana Jones.' Nobody in their right mind thought 'American Graffiti' or 'Star Wars' would work.
It wasn't long after I began writing Star Wars that I realized the story was more than a single film could hold. As the saga of the Skywalkers and Jedi Knights unfolded, I began to see it as a tale that could take at least nine films to tell - three trilogies - and I realized, in making my way through the back story and after story, that I was really setting out to make the middle story.
I wanted to make abstract films that are emotional, and I still do.
I made lots of movies while in school while everybody else was running around saying, "Oh, I wish I could make a movie. I wish they'd give me some film."
I like to say that films are never finished, they're only abandoned.
From the outset, I conceived Star Wars as a series of six films, or two trilogies.
Kurosawa was one of film's true greats. His ability to transform a vision into a powerful work of art is unparalleled.
Learning to make films is very easy. Learning what to make films about is very hard. What you’ve really got to do is focus on learning as much about life, and about various aspects of it first.
There's nothing worse than the frustration of having somebody who you feel doesn't get what you're doing, trying to turn it into something else. It's a very, very annoying and sort of frustrating thing and I just never wanted to go through it. I was very fortunate as I came up through the film business that I was able to insulate myself from that.
Making a film is like putting out a fire with sieve. There are so many elements, and it gets so complicated.
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