Andre Malraux Quotes - Page 4

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• The thrill of creation which we experience which we experience when we see a masterpiece is not unlike the feeling of the artist who created it; such a work is a fragment of the world which he has annexed and which belongs to him alone.

  Andre Malraux

  Artist, Feelings, Thrill

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• A large share of our art heritage is now derived from peoples whose idea of art was quite other than ours, and even from peoples to whom the very idea of art meant nothing.

  Andre Malraux

  Art, Ideas, Heritage

  "Voices of Silence". Book by Andre Malraux, Part I, Chapter V, 1951.

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• Even the West has known the architecture of empty space, whose object, for thousands of years, has been less to construct divine houses, than to create sacred places, to seize upon mystery and to immerse man in it-whether by raising the cyclopean pedestal that surrounds him with stars, or by hollowing out the sanctuary that wraps him in haunted night.

  Andre Malraux

  Stars, Night, Men

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• Our characteristic response to the mutilated statue, the bronze dug up from the earth, is revealing. It is not that we prefer time-worn bas-reliefs, or rusted statuettes as such, nor is it the vestiges of death that grip us in them, but those of life. Mutilation is the scar left by the struggle with Time, and a reminder of it - Time which is as much a part of ancient works of art as the material they are made of, and thrusts up through the fissures, from a dark underworld, where all is at once chaos and determinism.

  Andre Malraux

  Art, Struggle, Dark

  "The Voices of Silence". Book by Andre Malraux, Doubleday, Part IV, Chapter VII, 1953.

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• The crucial discovery was made that, in order to become painting, the universe seen by the artist had to become a private one created by himself.

  Andre Malraux

  Artist, Discovery, Order

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• An individualism which has got beyond the stage of hedonism tends to yield to the lure of the grandiose. It was not man, the individual, nor even the Supreme Being, that Robespierre set up against Christ; it was that Leviathan, the Nation.

  Andre Malraux

  Men, Yield, Leviathan

  "The Voices of Silence". Book by Andre Malraux, Doubleday, Part IV, Chapter I, 1953.

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• Opium teaches only one thing, which is that aside from physical suffering, there is nothing real.

  Andre Malraux

  Real, Suffering, Teach

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• If modern painters feel qualms about applying the term "masterpiece" to describe a work of capital importance, this is because it has come to convey a notion of perfection: a notion that leads to much confusion when applied to artists other than those who made perfection their ideal.

  Andre Malraux

  Artist, Qualms About, Confusion

  "The Voices of Silence". Book by Andre Malraux, Doubleday, Part III, Chapter VI, 1953.

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• Every young man's heart is a graveyard in which are inscribed the names of a thousand dead artists but whose only actual denizens are a few mighty, often antagonistic, ghosts.

  Andre Malraux

  Heart, Artist, Men

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• The present age delights in unearthing a great man's secrets; for one thing because we like to temper our admiration and also perhaps we have a vague hope of finding a clue to genius in such "revelations."

  Andre Malraux

  Men, Secret, Age

  "The Voices of Silence". Book by Andre Malraux, Doubleday, Part III, Chapter VI, 1953.

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