The Coen brothers: Of all the directors I've worked with, they're the only ones who have given me the storyboards attached to the script. It was very cool for me, because I knew when I was in close-up or if it was far away, and it also made me know that anything that happened in the edit wasn't personal. Because they edit their own movies, so they were editing it as they went.
I love Fargo, I love all of them, but Miller's Crossing just happens to be my favorite. When I heard Coen brothers were doing No Country For Old Men, I thought, "This is it. This is their masterpiece. This is going to be the one, because it's going to bring every element together." I just had a feeling about it.
I never heard Coen brothers get defensive, ever. You get with these filmmakers doing the hardest work in the world, and they're not defensive. They're happy together, they crack jokes together, they have different opinions - and it doesn't bother them that they have different opinions. So no wonder their work is so good, because you're getting two for the price of one.
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