Jessica Tandy. Nice company! And Ruth Gordon. They worked all along. She didn't really get any big star recognition until Driving Miss Daisy. So what if it takes me that long? Slow and steady wins the race, right? Better a tortoise than a hare.
I never have compared myself to Jessica Tandy in any way, and that's such a great role model for me to look at. I'm seriously going to put pictures of her in my dressing room and commune with her from now on, I think.
Maybe the actors that used to turn down William Goldman's scripts - where he wanted them to stretch and grow, and he was mad at 'em, and said, "Why won't they be a real actor?" - maybe they just knew their audience. It's too bad.
At Rain Man, I was 38. And before that, I had really just started working when I was 36. I was very late. So I've got time, right? As long as I stay healthy and eat right.
I'm ready to do some classics. Maybe I wasn't in the beginning. I weighed 179 pounds when I got to New York, and I had that thick Southern accent. I still talk Southern, but I can do without it.
The book by William Goldman, Adventures In The Screen Trade, great, awesome book. He talks about this very thing - that you can't get a star to do a part that's not what their public expects. And Sandy's Bullock not like that. She's taken a lot of chances over the years. And Patrick Swayze certainly wasn't like that. But I mean, maybe that is true. Maybe that's exactly why they didn't like All About Steve.
I've workshopped Medea where I have goddesses, and I'm naked onstage and painted gold, and talking in tongues, and the goddesses come and dress me, and Hecate arrives and fills me with the power to go kill the children so I can send them to the afterlife and do this for all women. They've never done a Medea like that. They're cheating themselves by not letting me do these roles.
I built a career on my archetype, and I'm grateful, but I'm trying to stretch.
I have such a great thing I want to do with Lady Macbeth - make her one of the witches - and I have this whole thing where she's very light and dressed in pink and dancing Gaelic dances and throwing roses, but then when her husband's coming home, she does incantations and pulls her hair back, puts on a black leather trenchcoat. I mean, I could tear it up if somebody would give me the chance! But do you think someone would ever let me do Lady Macbeth? I doubt it. But I'm going to keep talking about it.
To me, All About Steve movie is sweet-natured and sweet-hearted, and I can't get enough sweet-hearted movies. I want to be inspired right now. I think things are pretty tough in the world. And people at the première were loving it - I mean, loving it! So I'm so sorry to hear people saying that it is the worst movie of 2009. I don't buy it at all.
Maybe because All About Steve is about offbeat people, viewers don't want them to be heroes. There is something archetypal in us that we like a leading lady, we like a leading man, and we like people with my features to get killed. Maybe that's why the reviews were so severe - because good Lord, I've seen much worse films!
I never heard Coen brothers get defensive, ever. You get with these filmmakers doing the hardest work in the world, and they're not defensive. They're happy together, they crack jokes together, they have different opinions - and it doesn't bother them that they have different opinions. So no wonder their work is so good, because you're getting two for the price of one.
My daughter loved All About Steve movie, because she's 6 feet tall and she's different. And I got a lot of great e-mails from people who are different. I'm a gay icon. I'll just say it. That's what they say to me, so I'll accept it. I got so many e-mails saying that it meant so much to those people. My daughter said, "They didn't like it just because she didn't get the guy! If they had lived happily ever after, people would have liked that movie."
My husband and I can't get through dinner without being defensive. We've been married 24 years, and I love my husband to death, but sometimes I say, "What are we? Two injured creatures who can't talk to each other without going, like, 'Ahhh!'?"
The Coens both give you direction, and then it's up to you to kind of figure out the music of what they're saying.
The brilliant costume designer Mary Zorphres had done all this research on West Texas in 1980. Every woman looked like that. At a certain age, they would get their hair cut off, let the gray go in, get that permanent, and wear those big glasses. She gave me a beanie bra so my boobs would hang down, and these old dresses. My hat's off to her, because I thought it was perfect for the movie. It was so great to have some comic relief right at that moment. No Country For Old Men is such an intense film.
The Coen brothers: Of all the directors I've worked with, they're the only ones who have given me the storyboards attached to the script. It was very cool for me, because I knew when I was in close-up or if it was far away, and it also made me know that anything that happened in the edit wasn't personal. Because they edit their own movies, so they were editing it as they went.
I love Fargo, I love all of them, but Miller's Crossing just happens to be my favorite. When I heard Coen brothers were doing No Country For Old Men, I thought, "This is it. This is their masterpiece. This is going to be the one, because it's going to bring every element together." I just had a feeling about it.
As much as I love being an artist, I love being a mom even more.
I love Child's Play 2! That movie has a great theme: You better listen to children. That's why I wanted to do it. I was scared to do a horror movie - a blatant, studio horror movie - but I liked the script, and I thought that was such an important theme, because I don't think adults listen to children enough.
If you just think Donnie Darkos a weird movie, you don't want to think. You don't want to feel your feelings. So yeah, I do want to shake 'em up.
One friend said, "Donnie Darko movie was weird!" And I thought, "Hmm. I don't think we're as good of friends as I thought." It's not like I disliked him for it; it just meant we weren't on the same page I thought we were. Because I can't imagine watching that film and not being moved to tears.
Everything I've done hasn't worked out - you know, some things aren't as great as others - but I'm having so much fun, who cares? Isn't that what an artist is supposed to do? We're trying to change the world. Otherwise, why be an artist? You want to shake people up and make 'em think.
I'd much rather insult people and make 'em angry. Donnie Darko's very controversial. Not all of my friends like it. Honestly, it's almost become a test for me. If somebody says they don't like Donnie Darko, I think, "Oh, I don't know you as well as I thought I did."
Reality television, anybody can be a star at any minute.
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