Yeah, Under The Table And Dreaming shaped the way that I think about writing songs.
When you do an interview with me, you're talking to a cheap imitation of the person that I really am. There's no magic in my words, it's just me talking.
I find myself in situations that I know would be unbelievable pictures and I have to gauge, Is this worth taking the camera out? Am I gonna lose the moment? Am I gonna get a dirty look from Sting?
I wanna run through the halls of my high school, I wanna scream at the top of my lungs. I just found out there's no such thing as the real world, just a lie you've got to rise above.
If you're good, and you know you're good, and you know you're better than those people getting paid to do it, you still have to have an open ear….Nobody's music is the enemy of your music…The idea that someone else has made it when they shouldn't have made it is toxic thinking.
I have these accidents, these mistakes, these self-inflicted wounds, and then I tear my head to shreds about it for days.
I'm pretty good at taking accountability now, and I never did anything to deserve that. It was a really lousy thing for her to do.
The tweets are getting shorter, but the songs are still 4 minutes long. You're coming up with 140-character zingers, and the song is still 4 minutes long…I realized about a year ago that I couldn't have a complete thought anymore. And I was a tweetaholic. I had four million twitter followers, and I was always writing on it. And I stopped using twitter as an outlet and I started using twitter as the instrument to riff on, and it started to make my mind smaller and smaller and smaller. And I couldn't write a song.
And i start sleeping and dreaming and i think i'll dream about you, all through the night.
Look, demanding somebody do anything in this day and age is not going to fly.
Might be a quarter life crisis, just disturbin' in my soul.
I've realized you can use a fork as a spoon if you use it rapidly enough.
I am beginning to know what it feels like to be a woman. To have people looking at you all the time. And I'm sorry ladies, I had no idea! But people are looking at me all the time. It's like I have musical boobies!
My life's a sequel to a movie where the actors' names have changed.
My hits are not hits.
I'm not as surprised in going from playing 1,000 seats to 4,000 seats as I was from 100 to 500 seats.
Maybe someday you can accuse somebody of being a poseur by selling out and playing blues music, but that's just not going to happen in my lifetime.
Never, ever underestimate the power of 'Id Like that.
There's a certain lack of gimmickry to what I do that makes people in England go: 'Where's the thing?
It's almost charity work, what people have done, turning other people on to my music.
Friends, lovers, or nothing, we can really only ever be one.
The night I was recognized for 'Daughters' at the Grammys was the night this record started. I knew I had bought the time to learn everything I needed before I started this one. 'Continuum' is not a shot in the dark, it's not a guesstimation.
I've never been a bad boy.
Nothing feels worse than having to break the stage down before the performance, and I mean nothing.
If I wake up in the morning and I don't want to get you a coffee or if I don't see you for a week and I don't want to go figure out something to FedEx you, then we've got a problem. You can fake the words I miss you, but you can't fake getting someone a book.
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