I've learned how to appreciate what I have. And it's a lot. I'm very lucky.
I've learned that asking ourselves not just what we want to be, but who we want to be is important at every stage of our lives, not just when we're starting out in the world. That's because in a way, we're starting out fresh in the world every single day.
Everyone is always telling me that I must be exhausted, but I've learned how to use my time well, and that includes holidays to recharge. I always try to give myself big chunks of time to think about what the next project is going to be.
Everything I've learned about art was (a) because I was actually interested, or (b) I was actually interested in covering my ass because of what I was writing about.
Standing in front of a microphone where every word or every slip that you make, especially in these times, is with you forever - you want to say the right thing. I fell into having to extemporize, and it came okay because of tools I've learned. I said [to myself], "Remember [to mention] mom and dad."
The idea of actually taking sharp turns left and right has always intrigued me, but I've never really been bold enough to do that. As musicians go, I've allowed myself to be carried by other people's enthusiasm into places where I've learned a lot. There is no real tumult anymore. What I want to do, I do! I'm pretty fortunate.
It's easier in an urban world to cast the blame outward. So I've learned a lot about my own process in that way.
I love to bake. I like to bake with wheat and try not to eat sugar so I use applesauce instead, which probably sounds really gross. When I was doing the promos we included tomatoes, mangoes, rice - all the different ways you can eat them - and we were able to incorporate some of the recipes I've learned, like a spinach mango salad. It was really fun to get creative with food because sometimes people forget that.
I'm surrounded by freaks. Am I weirder than the rest of them? Ultimately I've learned to pride myself on being quirky.
I've learned, having been on a lot of sets, the good news is that by definition you are surrounded by experts. They get fired if they're not - unlike in the theatre!
I think my philosophy has evolved over the years. I started teaching almost 15 years ago and I've learned that how one student learns is obviously much different than how another student learns and so I've had to figure out how to get through to people honestly without hurting their feelings - which is no easy task just in the scope of being a human being, much less in the classroom, but which is something that is more important to me now than it was when I was 30 - and to show them a path to improving.
I've learned a lot about language from reading slush. You can immediately tell if a writer is in control of the narrative. This writer will avoid using too many words like "possibly," "probably," "maybe," "perhaps," etc. He/she will avoid using clichés, as well as a lot of metaphors, and won't take four sentences to say what they could in one (or write a great sentence and follow it up with a bunch of stuff that just weakens it).
I think I've learned to be mindful. I may not have taken the time to try to understand narrative techniques, let's say, with any rigor, if I did not also have to try to explain those techniques to someone else.
Barry Manilow was very special for me. We've had many collaborations since then and all have been equally rewarding and musical. I've learned so much from him. I like being a student around him; observing him in his environment.
I don't like to be in the forest. It's a weird thing. I've learned to have a general appreciation for nature, which has taken a while. But the forest, I still don't really love.
I've learned over time that every editor has told me when you're getting that much hate, you don't talk about it. You just kind of don't give it oxygen and let it go away. It's almost - not always, but almost - always the best policy.
I seem to have made my friends proud of me/proud to know me. I also feel I've learned and grown a lot even in this short time, and this event has given me a lot of opportunity to continue doing so. Obviously there were a lot of negative reactions, but they seem to have overall little relevance to my life.
I said to Ramona [my daughter] once ... you should never look yourself up on the Internet. It's something I've learned.
But what I've learned is, when your adrenaline is flowing, you can do a lot. I'm not very physical, but once some punks were trying to break into my house and I chased them down.
As actors, we have to be able to keep ourselves open to feel, and that's a life lesson I think many people don't get a chance to learn. In my personal life, I've learned to carry this lesson with me.
I've been able to see the world many times over. The thing I've learned is less is more. I travel as light as possible. I try to carry on.
What I've learned about that word is context, where the world is coming from - in the era the film is set, it obviously is used derogatorily. In 'Selma,' it was the same sort of thing. Of course now, in music, it's used in many more ways, including ways that takes the sting out of it. It all depends on where and when it is used, and how you look at it. But again in 'Race,' it is intensely disrespectful.
I've learned a lot just being able to see things clearer.
I also feel like I've learned over the years what is not important, and that is also great: to know what is pointless to spend your energy on, to be more specific.
I've learned not to care so much about what other people think.
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